The third volume of the experimental and electronic music anthology (1952-2004).

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

At a time when questions of “place” are active in dialogues around globalization, cultural identities, and the loss of public space, how are artists, theorists, and architects imagining space? “Surface Tension” examines the conversations that occur as negotiations between cultural production and the place of its reception.

The second volume of the experimental and electronic music anthology (1936-2003), including unreleased material (Laibach, Alan R. Splet, Kim Cascone, Autechre, Tod Dockstader, Scanner, Morton Subotnick) and rarities (Captain Beefheart, Sun Ra, SPK, Luc Ferrari...).

159 minutes of minimal electronic music, readings, soundtracks from the archives of Angus MacLise 1963-1976.

Vinyl EP (live performance).

The first volume of the experimental and electronic music anthology (1921-2001), with some major works (Pierre Schaeffer, Iannis Xenakis, Edgard Varèse, Henri Pousseur, Konrad Boehmer, Luigi Russolo), a few rarities (John Cage, Nam June Paik, Gordon Mumma, Walter Ruttmann) and plenty of previously unreleased material (Sonic Youth, Einstürzende Neubauten, DJ Spooky, Ryoji Ikeda, Pauline Oliveros, Angus MacLise, Philip Jeck, Survival Research Laboratories...).

An anthology focusing on the relationship of language to sound, writing to music, bringing together a collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.

The essential compiled by Stephen Vitiello.

Published on the occasion of the exhibition Air-Air - on the inflatables structures theme - at the Grimaldi Forum de Monaco (Philippe Parreno, Yayoi Kusama, Sylvie Fleury, Lee Bul, Carsten Höller, Takashi Murakami, Bertrand Lavier, Andy Wharol, Kenji Yanobe, Archigram...).

Gerard Malanga's first hand documents from his personal archives, with unpublished music by various personalities.

The Rectange label "recycled" by Otomo Yoshihide.

Live recording of two performances given by the artists in France.

An anthology focusing on architectural and acoustic space, sound sculpture, field/environmental investigation and recording, and site-specificity, featuring writings, visual works, interviews and artist projects by leading experimental composers, sound-artists, architects, contemporary authors, cartographers, and ecologists.

Three tracks recorded in one day at the Studio des Variétés in Paris in 1994. First a kind of Aylmerian hymn in six saxophone layers (2 percussive, 2 high-pitched and 2 melodic), then a sax piece treated with a multitude of superimposed effects, then an improvisation on samples recorded previously in solo.

Three songs about death and illness, with the participation of Didier Petit and Noël Akchoté.

Edited by Marc Dachy, this first CD devoted exclusively to Marcel Duchamp brings forth some very rare documents of the '50s.

Vinyl EP record.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record (available in English edition).

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.