A tribute to William S. Burroughs.

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

“In This Lingering Twilight Sparkle” finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror...

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

The soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack on CD, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

The 18th issue of the French magazine for ambient & experimental music revolves around the theme of wild sounds, the singing of the waters, the forest and the night, with William Basinski, L.M. Riek, Jana Winderen, Troum, Yannick Dauby, Thierry Weyd, O Yuki Conjugate, Marc Namblard, Cédric Peyronnet, The Cure, Coil, Michael Begg, Maninkari, Bass Communion, The [law-rah] Collective, B.L. Boysen (with a 13 track CD included).

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

A more than strange novel by the German writer and director Hanns Heinz Ewers (1871-1943), accompanied by a new musical piece by Nurse With Wound on a mini CD.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

Oiseaux-Tempête's fourth studio album embraces the new, leaving aside the nomadic evocations of the previous albums to unfold as a twilight and prophetic orchestra around G.W. Sok's punctuated voice.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro.

A series of connections between percussion and electronics.

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Masayuki Takayanagi's legendary “lost” album.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.