The debut full-length resulting from the collaboration between composer/producer Britton Powell and two Berlin-based artists, the British composer/cellist Lucy Railton and the electronic artist Brian Leeds (Huerco S), who fell into alignment in December of 2018 amid a handful of immersive and improvisatory recording sessions held at Gary's Electric Studio in Brooklyn, New York.

Remastered edition of Sydney trio Triosk and Jan Jelinek's loop-based jazz project.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

An electronic interpretation of the works of Phill Niblock by the Prague-based group Opening Performance Orchestra.

Deluxe boxed set of Graham Lambkin's remastered first four solo records, including an expansive 42-page book with unseen photos and reproductions of artworks as well as essays and anecdotal recollections.

An exquisite corpse (four pieces resulting from a process of musical exchange between Jean-Philippe Gross and Jérôme Noetinger).

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

10 year anniversary edition of Jefre Cantu-Ledesma's landmark album originally released in 2010 on TYPE records, remastered by Stephan Mathieu.

Asmus Tietchens' Hematic Sunsets shut down the Aroma Club with a final release. The album "Aroma Club Adieu" features 12 exquisite pieces of death lounge electronic pop performed on electronic organs and entertainment devices of various kinds.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

In Un homme sensible, Octave Mirbeau tells the story of a murderer who, in the name of world harmony, is determined to rid the world of "all organisms unfit for a strong and harmonious life". This inspired Nurse With Wound, which, as an illustration, gives us here a new piece of unpublished music.

Collector's edition box set including the soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the remastered soundtrack in the vinyl and CD formats, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

A somnambulant modern masterwork, Kali Malone's 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies co-released by XKatedral and Bleak Environment.

A tribute to William S. Burroughs.

Palo Alto pays tribute to Gilles Deleuze in a dazzling, radical and political concept album (featuring Richard Pinhas, Thierry Zaboitzeff of Art Zoyd, Alain Damasio and Rhys Chatham).

Palo Alto pays tribute to Gilles Deleuze in a dazzling, radical and political concept album (featuring Richard Pinhas, Thierry Zaboitzeff of Art Zoyd, Alain Damasio and Rhys Chatham).

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

Six great pop standards remembered: five pop songs are dissected by the duo of Helmut Schmidt and Jan Jelinek's sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

12'' vinyl reissue of the rare & infamous double-7'' originally published by FMP in 1973. Recordings from a Free Jazz workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, Han Bennink.

Reissue of Nitsch's very first release, originally published in 1972 by Edition Galerie Klewan in a limited edition of 100 copies.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Jan Jelinek's album Tierbeoachtungen in a limited pressing on vinyl for the first time.

Through “Experimental & Parametric Music 1976-2017,” more than 40 years of Joris de Laet's work are unveiled. We discover here for the first time the great coherence of this work: from “Signalisations” (1976) to “Mnemosyne pour une acousmaman” (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.

“In This Lingering Twilight Sparkle” finds Mark Leckey stitching together a fantasy travelogue made up of found sounds, spoken word and dismantled tunes like some hallucinogenic mixtape; part audio diary, part YouTube session taking in fairytale folk musics, iMessage notifications and gothic horror...

Tristan Tzara (1896-1963) is the poet through whom Dada arrived. In Zurich, he animated the Cabaret Voltaire with Hugo Ball; in Paris, he then inspired some surrealists in the making. If he was a great lover of Villon and Rabelais, his poetry is as iconoclastic as the music of Nurse With Wound, who composed for this edition of Minuits pour géants an unpublished piece lasting about ten minutes: On the Edge of the Outside.

The soundtrack realised by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). The box comes with the soundtrack on CD, and an exclusive luxurious photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky.

The first reissue of Wounds by David Toop and Paul Burwell, originally released in 1980 on Toop's Quartz! label, a representative album of a seminal moment within the British music scene evolved around the London Musicians Collective in the late 1970s and early 1980s.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

Walls of Sounds is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally (works by Alvin Lucier, Phill Niblock, John Cage, John Duncan, James Tenney, Terry Riley, Lee Ranaldo, Philip Glass, Steve Reich, Boris Hegenbart, Ulrich Krieger, Zbigniew Karkowski).

The 18th issue of the French magazine for ambient & experimental music revolves around the theme of wild sounds, the singing of the waters, the forest and the night, with William Basinski, L.M. Riek, Jana Winderen, Troum, Yannick Dauby, Thierry Weyd, O Yuki Conjugate, Marc Namblard, Cédric Peyronnet, The Cure, Coil, Michael Begg, Maninkari, Bass Communion, The [law-rah] Collective, B.L. Boysen (with a 13 track CD included).

The meeting between the Japanese group Acid Mothers Temple and the Argentinian group Reynols, a major figure of art brut practices with its trisomic drummer-singer, Miguel Tomasin.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.