Compilation of unreleased tracks in tribute to Albert Ayler, with Daunik Lazro & Claude Tchamitchian, Akosh S. & Didier Levallet, Guillaume Orti & Eric Chalan, Maurice Merle & Jean Bolcato.

A drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A surprising trio, initiated by Derek Bailey: Pat Thomas is here on electronics and Steve Noble, an outstanding drummer, plays only turntables. One of Derek Bailey's most abstract records.

The Rectange label "recycled" by eRikm.

The Rectange label once again "recycled" by Xavier Garcia.

A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

Picture Disc version. A long americana-like piece reminiscent of John Fahey, inspired by a short story by Stephen Crane (with Steven Prina, Sacha Andrès, Yves Robert, Thierry Madiot, Didier Petit and Quentin Rollet), followed by a drone duo between David Grubbs on harmonium and Noël Akchoté on electric guitar.

A sax/Hammond organ duet recorded at XtraLab, Paris, then edited at Can Studio, Weilerswist, by René Tinner. Strangely, digital noises were added during the transfer of the sound files and are now part of the abstract music of the duo.

A 45rpm to be played in 33rpm, gathering three very different high-flying pieces, recorded by Jean-Marc Foussat.

A true Gay Pride anthem. Produced by Luigee Trademarq. Charlie O. sings, plays Hammond organ, but also surprises with a very intimate track on the B side with piano, voice and trumpet.

37 minutes sound piece realized in 1995 (limited edition).

Album recorded in London by Toby Robinson (Stockhausen's student and who recorded a lot Derek Bailey) at Moat Studio. Total improvisation (voice, soprano saxophone and electric guitar), non-idiomatic. With a preference for short pieces rather than long tracks.

Two tracks produced by Luigee Trademarq, with Noël Akchoté on guitar, somewhere between La Souris Déglinguée and Toots and the Maytals!

A Costes' record about jazz!

The Rectange label "recycled" by Xavier Garcia.

An album of covers of French songs (Georges Moustaki, Brigitte Fontaine, Serge Gainsbourg, Léo Ferré, Jacques Brel, Nino Ferrer...) by The Recyclers (Noël Akchoté, Benoît Delbecq and Steve Argüelles) featuring Philippe Katerine, Ignatus, Sasha Andres and Irene Jacob.

Eighth album of the Workshop of Lyon, it is also their first entirely improvised disc, recorded by Jean-Marc Foussat.

Solo recording made at Instants chavirés. In 9 tracks, Noël Akchoté goes from pure noise to guitar hero solo worthy of Woodstock.

The second album by the improvisation trio Benoît Delbecq / Steve Arguëlles / Noël Akchoté (and the very first for the Rectangle label founded by Quentin Rollet and Noël Akchoté), recorded live in Quebec City and Vancouver during a tour of Canada in 1995.

Derek Bailey and Eugene Chadbourne in an improvised duet, recorded live on January 2, 1995.

A mix of absurd poetry and homemade music, these seven songs and two instrumentals give life to Frédéric Le Junter and Pierre Berthet's musical creations founded on quirky objects.

Unreleased recordings from Vandoeuvre's Musique Action Festival, produced between 1998 and 1992 for the festival's 10th anniversary. The blossoming style of the music of the 80s can be heard throughout the album.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.

These tracks were recorded during the 1985 Musique Action Internationale festival, organised by CCAM. This vinyl record is a remnant of those days dedicated to new music.

The legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record.

Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.

Reference monograph, with texts, sketches, and scores by the artistes, and some musical exemples on a 45RPM vinyl record included.

Reference monograph, with texts, sketches, and scores by the artistes, and some musical exemples on a 45RPM vinyl record included.

Reference monograph, with texts, sketches, and scores by the artistes, and some musical exemples on a 45RPM vinyl record included.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

One of the deepest drone albums ever recorded: nine trombones, didjeridu and Tibetan bells fill the massive two million gallon cistern with dense sonic reverberations that are both haunting and healing.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The inaugural edition features 18 artists, and showcases over 80 original artworks and literary texts.

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.