A series of connections between percussion and electronics.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Sugimoto's majestic images of classic modernist buildings.

Artist's book.

The art scene of Kosovo.

As part of the 2016 edition of the Printemps de septembre, British artist David Shrigley designed a tailor-made project for the Institut supérieur des arts de Toulouse by providing all the elements needed to organise a music festival.

Masayuki Takayanagi's legendary “lost” album.

The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices.

Monograph dedicated to a pioneer and leading figure in new media art.

The first English translation of Jacques Rancière's early philosophical text "The Dialectic of Reason and Private Interest", originally published in 1963. Written under the influence of Louis Althusser, the text is discussing the forms of law in Karl Marx's writings on the "debates on the law on thefts of wood".

Artist's book.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This album contains seven compositions, created by the Opening Performance Orchestra, Blixa Bargeld, Luciano Chessa and Fred Möpert. All the pieces relate to the theme of Futurism and employ intonarumori, instruments invented and used more than a century ago by the Italian Futurists in their noise compositions.

Jacques Ponzio re-questions the life and personality of legendary American jazz pianistThelonious Monk as much as his music.

Art and feminism in Italy in the Seventies.

Tarek Lakhrissi's first artist's book.

A landscape of Japanese playgrounds, at the intersection of architecture, urbanism, design, pedagogy and contemporary art.

This publication of Maryanne Amacher's 1991 piece Petra marks her first commercially available instrumental work as well as the first time her music has ever been available on vinyl— a unique example of Amacher's late work.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs. The CD is accompanied by a book of texts and images by Dalachinsky.

The drawings in 101 are made with a software application conceived by Erwan Bouroullec which extracts lines and colors out of photographs.

A small selection of Ronan Bouroullec's recent drawings.

New monograph.

A critical global fashion theory from a postcolonial perspective.

A reflection on the genealogy of objects (artist's book).

A contemporary narrative, an artist's book, a surprising journey into a place that we thought we knew.

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

Compilation realized within the framework of the "Rencontres de Pratiques Brutes de la Musique" by the association Sonic Protest.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

A collection of texts by the French-American photographer and filmmaker in which she reflects on her artistic practice and discusses her collaborations with other filmmakers, artists, dancers and choreographers such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

This new monograph brings together Nicolas Floc'h's artistic production of the last twelve years.

The memories of saxophonist Steve Potts, collected by his friend Michel Edelin.

This double LP is released in an edition of 300 and includes two solo vocal pieces by Flux artist Takako Saito, two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event, and two non-vocal sound pieces. It is housed in a full-color sleeve and includes one insert with liner notes by Saito, a poster, and four postcards.

A photographic inventory.

In August 1979, East German musicians were invited to perform a three-day festival in West Berlin. Billed as “Jazz Now,” this landmark meeting was recorded and initially released by Free Music Production. From stunning duos to challenging small-group performances, from large rave-ups to Mingus nods, Snap- shot” provides much more than that name suggests. It's as complete a portrait of jazz in the GDR as you're ever likely to find, and a moment in time that continues to reverberate—via these sounds—today.

Powerful instrumental music performed by Robert Rauschenberg, Kat Epple, and Bob Stohl on electronics, and a series of musical metal sculptures called Strategic Structures.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.