Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

A picaresque tale of Clara Schulmann's often collective experiences.

An essay on dancing corporality as a complex system of interacting elements.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The Conclusive Scene - Mao Zedong's Last Meeting with the Red Guards, 28 June 1968 includes the first complete English translation of the Chinese Cultural Revolution document "Conversation in a Meeting with the Responsible Persons of the Capital Red Guards."

The meeting between the double bass player and singer Fantazio and the workers of a centre providing care through employment in Paris.

A retrospective look at the work of our contemporary art godfather.

First monograph.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

A collection of conversations, essays, artists' projects, and inserts, critically reflecting on the concept of “exhibition history”.

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

An anthology of texts on contemporary art during the second decade of the twenty-first century.

This publication documents new spatial notational systems developed by architect Nina Valerie Kolowratnik to help Indigenous communities from New Mexico to protect and regain traditional lands.

The inaugural publication of the “Research/Practice” series focuses on an artistic research by Michael Rakowitz on the aftermath of a canceled show by Leonard Cohen initially scheduled in Palestine.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

A cross-disciplinary reader investigating dizziness in artistic, art-historical, philosophical and natural scientific sources.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

The catalogue of the duo's exhibition at CAPC, featuring a new site-specific work and a series of performed or filmed actions. A project about situations of reversal, confronting the exogenous realities of the enterprise, the working-class, and the museum.

A return on Mark Geffriaud's film installation (artist's book).

Conceived on the occasion of two exhibitions at CA2M Madrid and CRAC Alsace, this catalogue features extensive documentation and collages of the artist's evolving works as well as essays by the show's curators, Elfi Turpin and Daniel Steegmann Mangrané.

A companion guide to Beutler's site-specific installation practice classifying each of his works according to the components, tools, and production methods used to create them.

First monograph: American artist Eamon Ore-Giron's hard-edge paintings combine Native American traditions and European abstraction. This publication offers a dialogue between his ongoing Infinite Regress series and the prose of poet and scholar Edgar Garcia.

This publication presents an extended interview with the French architect Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin Seror that took place between 2013 and 2015. It features a wide selection of drawings by Parent.

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

The performative aspect of the British artist's practice in the form of scores, transcriptions, and photographs (limited box set edition).

Artist choreographer Myriam Lefkowitz talking to Susan Gibb and Julie Pellegrin about the evolution of her practice, and its turn to dance as a sensory trigger for relations between bodies and places.

Artist and teacher-researcher Marie Preston speaks with Nora Sternfeld and Julie Pellegrin about her practice as a crossroads for art, education and cooperative working.

The extension and finalization of a commission given to the artist Eulàlia Valldosera by the members of the association Les amis de la maison de la Mémoire du Royans, a community museum that they founded in Rochechinard (Isère, France) in 1979.

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

Another pictureless, pocket-size book by Beni Bischof in his series. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

A collection of photographs of former border regions around the globe and down through the course of human history.

The content of this book is the result of a series of solo exhibitions; staged outside of any gallery space, visually undocumented, and taking place without visitors.