A number of more or less benevolent considerations on the work of Jacques Halbert.

Hastings of Malawi's third LP—the antithesis of Christmas albums.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

Olaf Holzapfel's and Guido Yannitto's textile works.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

Artist's book.

Four artist's posters.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

Artists' book.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994.

"Night Music" unearthes Sven-Åke Johansson's very first recordings from 1964—made with his Tandberg tape recorder in the Kronenburg Bar, a dive bar in the red-light district in Münster/Westfalen (West Germany). There he performed jazz versions of popular songs and standards with Uwe Wegner (piano) and Gerold Flasse (double bass), sometimes joined by Dutch singer Jenny Gordee. Young Udo Lindenberg was a frequent guest at the Kronenburg Bar

A split LP featuring two complementary experimental sound performances.

A collective publication implementing the itinerant project of the School of non-work developed by the Geneva-based Argentinian artist Patricio Gil Flood, developed in always different forms, depending on the context where it settles and acts.

An investigation into the history of Tunisian filmmaker Habib Masrouki (1950-1980).

A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

How film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.

A curatorial and research project that aims to move beyond insanity as the opposite of sanity, and imagine a space beyond what is understood as sane, i.e. ultrasanity—not a romanticization of madness or mental illness, but an effort to reconsider and challenge the notion of madness and the stigmas labelled on the so-called mad.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

Stefan Römer's second deconceptual album: six gun shots and an algorithm.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

A manifesto for the right of exile: the foreigner is the future of the citizen.

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

An extensive overview of Olivier Mosset's six-decade painting practice.

New monograph / catalogue.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

In this provocative intellectual biography, architectural historian Mark Wigley makes the surprising claim that the thinking behind modernist architect Konrad Wachsmann's legendary projects was dominated by the idea of television.