Dirty Ear Report #3 documents a collective workshop by sound artists and researchers working in the fields of experimental dramaturgy, sonic social engagement, and voice studies.

This publication presents five architectural environments that have been conceived through auditory and literary practices.

Dirty Ear Report reviews the activities of the Dirty Ear Forum—a research platform focusing on contemporary sound studies and sound art, and the diversity of approaches surrounding its practice and thinking. Drawing on from the researches carried out during the first edition held at Errant Bodies Project Space in Berlin, this first issue gathers contributions investigating sound as a social material.

This issue surveys the second edition of the Dirty Ear Forum at Bergen Academy of Art and Design in Norway, centered around the sound as the basis for a new discursive paradigm.

The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.

A project based on archiving people's memories connected to specific songs and radio broadcasts. Includes over 100 memories from around the globe, along with contributions by curators and theorists Bastien Gallet and Carmen Cebreros Urzaiz, and an audio CD of related work by the artist.

Audio project documenting the artist's travels in West Africa, pursuing cultural differences, the place of music, and the languages used to get at sound. Includes texts and audio CD.

Including conversations with David Toop, Scanner, Brandon LaBelle, Ken Vandermark, Kaffe Matthews, Steven Connor, John Parish, Ben Watson, Simon Critchley, Andrew Morgan, Esther Leslie, Eric Roth, Andrew McGettigan, and Seth Kim-Cohen.

Interviews with texts and imaginary autobiographies by Luc Ferrari: the first book to offer a comprehensive and insightful look into the work and career of one the most pioneering music composers of the second half of the 20th century.

A text by Christof Migone on a history of sound art and its relation to performance.

An extensive essay, Varieties of Audio Mimesis is many things: an investigation of the metaphoric relationship between music and landscape, a study of the poetics of onomatopoeia, and a theory of sound in the arts.