Michael Tedja's Aquaholism is an exhibition catalogue, a published oeuvre, an artistic treatise, a poetry collection, a visual essay, an artist's book. It is a polyphonic collage of text and image. More than seventeen years of artistic output unfold between the first and last pages. With its thoroughness, density, and associative power, the book embodies Tedja's artistic essence: voluminous, interrelated, and in continuous motion.

Catalogue.

First comprehensive monograph.

Liz Magic Laser's recent works.

First monograph, based on the texts of four writers (Agnieszka Gratza, Béatrice Gross, Chantal Pontbriand, and Allen S. Weiss) that each engage with a recent project by Ines Lechleitner.

A monograph / artists' book that engages with the recent film installations of Pauline Boudry / Renate Lorenz.

Catalogue.

The first survey of the Swiss and Danish duo's works from 2010 to 2014.

An introduction to Josef Bauer's oeuvre and practice.

A catalogue / artist's book as puzzling and conceptually elaborate as the exhibition it accompanies.

An unique artist's book based on Paul Sietsema's 16 mm eponymous film, with laser-cut portals and transparent screenlike pages.

This catalogue-reader accompanies Armando Lulaj's project for the Albanian Pavilion at the 56th Venice Biennale. A time capsule of the country's past, presenting strange memorabilia and trophies that tread the line between fact and fiction.

Monograph / catalogue.

Katja Eydel's photographic body of work.

Catalogue.

Reference monograph.

The role of history and commemoration in Germany today.

This book traces the evolution of Ulrike Gossarth's practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally.

First monograph.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Monograph / artist's book, with a selection of images—a documentation of exhibited works and those in process—that offer a sense of Valentine's approach to working, which gestures toward abstraction and improvisation, as well as three essays that investigate Valentine's process.

First monograph.

Ion Grigorescu's diaries from the crucial years of 1970 to 1975, a small literary and art-historical sensation.

An extraordinary overview of Ion Grigorescu's body of work since the late 1960s until today.

The publication, conceived by Clegg & Guttmann, is a response to Maier-Reimer's invitation to present his recent body of work for his contribution to the exhibition “Villa Romana 1905–2013: Das Künstlerhaus in Florenz” at the Bundeskunsthalle, Bonn.

Seven fold-out posters and a text by Martin Herbert.

Andrea Pichl's photographs, sculptures, and drawings to date, with two essays by Sven Beckstette and Gabriele Knapstein.

A new collaborative publication, that has evolved within the framework of two geographically separate yet collaboratively conceived exhibitions.

Comprehensive monograph.

Comprehensive new monograph on the influential British avant garde artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—, with essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.

Dénes Farkas's project for the Estonian Pavilion of the 55th Venice Biennale.

An in-depth view into the work of Susanne Kriemann.

Monographic exhibition catalogue, with an interview, an essay, a conversation, and a photo series by the artist.

The largest presentation of Marie-Louise Ekman's art ever featured in the form of a book.

This publication accompanies the eponymous exhibition at TBA21–Augarten in Vienna (showing together for the very first time Cerith Wyn Evans' luminous works that have been collected by TBA21 over the past ten years), and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring the artist's polyphonic oeuvre.

Lene Berg's films and video works.

This new artist book by Ruth Buchanan charts three narratives associated with the life of the Staatsbibliothek Berlin, which acts as an example of the tension between what is contained in libraries and how it is contained.

The catalogue of Jos de Gruyter & Harald Thys's major exhibition at M HKA of the same title.

The first comprehensive survey on the work of Slovenian artist/architect Apolonija Šušteršič, between Conceptual art, Contextualism, institutional critique, and relational aesthetics.

This catalog accompanies the eponymous exhibition at TBA21 in Vienna which consists of a complex installation of videos, photographs, and archival material, composing a subtle and sensuous portrait of the Israeli choreographer, dancer, researcher, and textile artist Noa Eshkol.

The project initiated by artist and filmmaker Beatrice Gibson and typographer Will Holder, based on the eponymous score written by Cornelius Cardew in 1967.

Taking the form of a ciné-roman, this book, based on Ursula Mayer's 16mm film of the same name, with a screenplay written by Maria Fusco, experiments in cinematic and linguistic registers through polyphonic monologue.

Keren Cytter's choreographic performance.

Between a critical reader and an artist's book, this publication is dedicated to the eponymous work by Israeli video artist Omer Fast.

Focusing on the conceptual, visual, and economic intersections implicit in design today, this publication dedicated to the work of the Swiss-American graphic designer Zak Kye expands collaborative form from a pragmatic structure of working together to the joint development of content.

Artist's book based on surrealist artist and dancer Hélène Vanel's manuscript.

First monograph (work from 2009 to 2012), with three essays and an interview.