Eva Grubinger's large-scale sculptural works referring to the fishing, both subtly and explicitly engaging a vocabulary of the alluring, as well as a critical position towards the reception of art.
This monograph features in depth essays on the collective's work as well as an annotated image section, which highlights bankleer's recent projects and deployments.
Emerging from the eponymous exhibition at Portikus in Frankfurt am Main, this catalogue reflects on the London exhibition space, Flaca, that Tom Humphreys organized between 2003 and 2007.
Focused on a series of exhibitions entitled The Opening—marked by the fact that all the paintings presented were produced at the galleries during the exhibition openings—the book documents all six events via text and snapshot-like images.
Artist's book (an hallucinated portrait gallery of most of the characters created by Brice Dellsperger for his film remakes) / first substantive study of his work, with an essay by Marie Canet.
First comprehensive overview / in depth analysis of more than ten years of the Spanish-Icelandic duo's artistic practice—leading up to their most current works.
A tribute to one of Germany's most radical, experimental, and progressive voices, with contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
The book discusses Mario Pfeifer's recent 16mm film installation Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974. This installation, consisting of two synchronized, looped, and parallel projected films, takes it point of departure from the first monograph of Baltz's work, published by Castelli Graphics, New York in 1974.
A book appearing as a result of Knut Åsdam's 2010 exhibition at Bergen Kunsthall, and the production of his two new films Abyss and Tripoli (both 2010).
First monograph, with an essay by Anselm Franke, a conversation between the artist and Ann Demeester, and images and illustrations of the two exhibitions.
Catalogue of the first collective exhibition by Auguste Orts, which came about on the basis of the frequent letters the four members exchanged about their work
Catalogue of an exhibition held at Portikus, Frankfurt am Main, part of a serial project designed by Yang in which she staged additional installations in other international exhibition sites.
Nakano Sakaue documents a series of photographs realized by Olaf Holzapfel during a residency in Tokyo. The artist has depicted a kind of residue from the city's buildings: neon lights, images, and street signs, which are featured as so many promises for orientation.
Using non-linear heuristic methods and experimental webs of information to draw links between the cities of Utrecht, and Slab City, California, USA, this book brings together speculative proposals that ask basic questions about public space, conceived as a physical and conversational sphere.
This comprehensive catalogue documents for the first time Klaus Weber's oeuvre and reveals a recurring sense of limit-experiences: accidents, organism mutations, altered states, incursions from the outside.
Luxurious publication in a box conceived by the graphic design team documenting the project by Hans Ulrich Obrist and Philippe Parreno
(limited edition).
A collection of interviews with workers and employees at Edifício Copan, a landmark modernist architecture by Oscar Niemeyer in the center of São Paulo, embodying an era of radical political and economic changes within Brazilian society.
This comprehensive catalogue traces the many stages of Antje Majewski's work, including paintings, photographs, videos, film, installation, and dance theatre.
In all of his works the Danish artist demonstrates an interest in an expanded notion of ecology, one that encompasses cultural history and sociopolitics as well as natural resources.
Agenda is an ongoing project by graphic designer Manuel Raeder which focusses on different methods of how people organize, in a personal or non-personal way, their time.
