Complex relationships inside art, culture, political economy, immaterial production, and the public realm today.

A collection of nonfiction essays that provides an illuminating meander through what we call culture today.

Analyzing a variety of films, video pieces, and performances, Sven Lütticken evaluates the impact that our changing experience of time has had on the actualization of history in the present.

Viable forms of refusal and imagine prospects for a post-work future.

The entrance of art into culture at large.

The genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s and the beginning of the 1990s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

An archive of the widespread publishing activities of Triple Canopy, the editorial collective and online magazine based in New York, Los Angeles, and Berlin.

A collection of documents of Tom McCarthy's “semi-fictitious organisation” International Necronautical Society, cofounded with Simon Critchley.

The first collection of texts by Steve Rushton, exploring the interrelations between art, anthropology, social sciences, psychology, media, politics, and economy.

An anthology that examines the poetics and politics of interior experience within the frame of contemporary art.

The sequel to The Future of Art – A Manual (2011), in which Niedling joined Niermann on his search for a new, epic artwork.

Reimagining and reanimating the infrastructure of cultural and intellectual life in contemporary cities.

A telling picture of the multiple forms of interactive, cooperative, and interdisciplinary practices in contemporary art (fifty-one artist interviews).

The contemporary field of sculpture.

Collective book with essays by leading art historians and experts based on a series of conferences held at Witte de With.

How the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation.

An anthology.

Changing political uses of the concept of care in neoliberal democracies, and how artists, architects, and designers both contribute to and attempt to critique its social manifestations.

A playful enquiry into “playfulness” as a value in critical cultural practice.

In 1831 Honoré de Balzac wrote a short story, “The Unknown Masterpiece,” in which he invented the abstract painting. Almost 200 years later, writer Ingo Niermann tries to follow in his footsteps to imagine a new epoch-making artwork. Together with the artist Erik Niedling he starts searching for the future of art and, seeking advice, meets key figures of the art world.

The book is comprised of texts on Susanne Kriemann's practice and its relation to the concept of Reading in a wider sense: reading photographs, archives, and texts and transforming these into new compositions with photography, urban space, and historiography.

Everything you ever wanted to know about Hans Ulrich Obrist but were afraid to ask has been asked by the sixteen practitioners in this book.

A collection of previously unpublished essays, both theoretical and visual, by artists, curators, a writer, a scholar, and a group of postgraduates from the Piet Zwart Institute's Fine Art programme in Rotterdam, who together founded the “Office for the Unknown.”

Twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.

Internal Necessity was the topic of the Sommerakademie 2009, curated by Tirdad Zolghadr. The result is an independent reader that does not aim to merely document the academy 2009, but reflects and develops its topics in a rich diversity of visual and textual forms.

An investigation of the latent yet easily overlooked issue of social class in contemporary art.

New musical practices, modes of production and reception of culture, since the emergence of electronic music in the 1990s.

A representative selection of Friedl's (partly unpublished) texts, along with a series of interviews.

A collection of essays and interview by an artist who captures the attention of 70,000 people each day through e-flux, as well as unitednationsplaza, Martha Rosler Library, and other traveling projects.

Net Pioneers 1.0 discusses media art history with a new, interdisciplinary look at the historical, social, and economic dynamics of our contemporary, networked society.

A theory of contemporary art in response to our moment, when artists and critics must respond to art's unprecedented popularity (illustrated by Wade Guyton).

A first-hand account of the Western world on the threshold of a major global mutation.

Voice Over examines staging, theatricality, and performative strategies in contemporary art practices.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

This book reexamines the legacies of modern theoretical and artistic iconoclasm in the context of the current religious-political image wars.

A critical review of the issues of the memorial for Track 17 at Berlin-Grunewald station by architects Nikolaus Hirsch, Wolfgang Lorch, and Andrea Wandel.

With its 100 questions and answers from major practitioners of the art world and beyond, this book helps to examine the various parameters for a new institutional model (contributions by Lars Bang Larsen, Charles Esche, Peter Friedl, Liam Gillick, Jörg Heiser, Tom Holert, Sarah Morris, Heike Munder, Jean-Christophe Royoux, Beatrix Ruf...).

Thinking Worlds brings together numerous essays addressing questions of the sense and purpose of the “event” in contemporary artistic culture, of the current status of philosophy and aesthetic theory, and of the political significance of artistic interventions.

Based on the curation of a space at the 2007 Lyon Biennial, architect and writer Markus Miessen has drawn together a group of people to lead conversations on the theme of Europe today.

A sharp summary of contemporary art since Marcel Duchamp.

The ongoing history of the experiment in film and art: this book describes and analyses the works of filmmakers and artists, defining two decades of experiments in Polish avant-garde film, and juxtaposes their work with contributions by international artists, who started to work during the last fifteen years.

Fully illustrated 2nd edition with a new introduction and afterword by the author, annotated artwork illustrations, a special insert by Paul Chan, and flip-book sequences from two films.

A new reading of the relationship between art and the "question of style", in a social perspective.

In several theoretical essays, dialogues on collaborative projects and reflections on his own work, the architect Nikolaus Hirsch explores the critical transformations of contemporary space and its effects on spatial practice.

This book provides a theoretical and critical framework to examine how contemporary art and cinema can still hold out against an experience of vision and of the “visual.”

An unique compilation of writing around art and cultural politics in America since 2000 (Giorgio Agamben, Bernadette Corporation, Trisha Donnelly, Isabelle Graw, Robert Morris, Seth Price...), as an addendum to the traveling exhibition curated by Daniel Birnbaum, Gunnar Kvaran and Hans Ulrich Obrist.