Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

A survey of Florence Grundeler's work, structured according to the different media (canvas, paper, steel, installation) that form the pillars of her artistic development, with two essays.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

New monograph, focusing on the ephemeral sculptures made by French artist Arnaud Vasseux in the context of recent exhibitions, at the end of which the works are destroyed.

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

First monograph: minimalist artist Eva Evrard explores the book form, sculpture and installation to question the complexity of the body. Her artistic project is defined by its formal polysemy, inspired by American conceptual art and the renewal of the Arts & Crafts movement.

Drawing relations between the works of Claude Lévêque and quotes from contemporary writers (Don de Lillo, Pierre Michon, Giorgio Agamben, Gilles Deleuze…), modern writers (Charles Baudelaire, Arthur Rimbaud, Jean Giono, Marcel Proust, Paul Valéry…), and classics (Shakespeare, Dante, Aristote…).

The monochrome paintings of Stéphane Bordarier are the result of a research based on the quality of the pictorial surface and the founding role of color. This monograph offers an overview of recent works, followed by two interviews with the artist.

A photographic account of the career of Françoise & Dominique Dupuy, French dancers and choreographers, pioneers of modern dance in France.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

French artist Raphaëlle Paupert-Borne summons the myth of Demeter in an epic film shot in the Mediterranean city of La Ciotat. This edition also features a short documentary on a series of drawings made by the artist in Algeria, and an accompanying book which includes texts by specialists, film captions and sketches.

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

A notebook illustrated with photographs documenting an installation project inspired by relationships built by the artist with the local people from French region the Camargue between July 2013 and December 2015.

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

The eponymous duo's monograph explore desire in the context of our post industrial, post human society, between globalisation and sustainable development, in this “glocalisation” that produces new objects, new temptations and new perversions.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

Since 1986, Max Armengaud takes photographic portraits of European Institutions, from the Paris Opera to the Vatican city.

Drawing relations between writers' quotes and the works of Céleste Boursier-Mougenot (with a text by Benoît Viguier).

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

Special offer: the two complementary monographs États seconds and Perturbations.

A lavishly illustrated monograph, structured around an extensive and thorough discussion between Lionel Estève and Herman Byrd, that works as an entry gate to the artist's work, which interrogates the multiplicty of infinity and reality.

New monograph, with essays by Michel Pastoureau and Jean-Marc Huitorel, reproduction of the “anti-dictionary” that accompanies Pierre Mabille's painted work, a selection of recent paintings, and stained glass windows conceived for a church in Chalonnes-sur-Loire, and a documented biography.

Comprehensive new monograph dedicated to the French artist's drawings and sculptures, with an essay by Marie de Brugerolle.

A retrospective.

The catalogue of the inaugural exhibition of the Fondation Vincent van Gogh Arles, a thematic van Gogh exhibition with proposals by nine contemporary artists (Bertrand Lavier, Thomas Hirschhorn, Guillaume Bruère, Fritz Hauser, Raphael Hefti, Camille Henrot, Gary Hume, Bethan Huws et Elizabeth Peyton).

First monograph.

First monograph.

Guy Reid's singular lime wood sculptures.

First monograph.

First monograph.

Reference monograph, covering the last ten years of baroque and obsessive creations of French painter, with hundreds of illustrations and two essays.

Reference monograph: a retrospective of psychic landscapes and architectures created by Berdaguer & Péjus in the past 15 years, with two essays and an interview.

Sixty small pencing drawings reproduced at scale 1:1.

First monograph dedicated to Xavier Noiret-Thomé's pictural telescopings, between figuration and abstraction, between iconophilia and iconoclasm, between references to art history and borrowings from contemporary popular culture (with two essays and an interview).

First monograph dedicated to the glamorous and saturated paintings, sculptures and collages of the French artist who works the way a drag queen makes herself up.

First monograph.

Seven texts on seven films by the French visual artist and filmmaker.

A retrospective of Damien Cabanes' paintings, sculptures and installations, with 150 illustrations and two essays.

Monograph (paintings and drawings).

First monograph (video installations, mechanical, electronic, light and sound devices, living or naturalized animals, sculptures, performances, photographs and drawings...), with two essays and a conversation with the artist.

Focusing on the large-scale sculptures in unreinforced plaster by French artist, this monograph offers an overview of the various techniques used to experiment the transitional states of matter in particular situations.

Monograph devoted to the singular visual lexicon that Nicolas Boulard organizes around wine and wine production.

Seven films by French artist Stéphane Pichard, from Seoul to Bamako, with an essay by Patrick Javault.

First monograph.

A set of new embroideries with a selection of older works by German artist, gathered for a specific installation: a reflection on the living space and the architectural environment.

First monograph: a journey into Philippe Caurant's oeuvre, an abstract painting of light and matter, inspired by photographic processes.

Designed in close collaboration with the artist, this monograph provides an overview of Carlos Kusnir's canvases, wall paintings, installations and photographs, with a text by writer Frederic Valabrègue.

First monograph devoted to the photographer / videographer.

The first Kees Visser retrospective monograph: an historic and sensitive survey of a minimal, radical and conceptual work, with around 60 major pieces, numerous exhibition views, documents, and two texts.