Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."