Sternberg Press
Institut für Kunstkritik
Founded in 2003 by
Isabelle Graw and
Daniel Birnbaum, Institut für Kunstkritik is a program that examines art criticism and connected disciplines. As well as single-authored books, this series comprises volumes based on symposia and lecture series, bringing together contributions by art historians, critics, artists, and writers. The goal of the series is to provide insights into current debates on the shifting relationship among criticism, art, and the market.
2023
English edition
Sternberg Press
currently out of stock
The most significant critical, theoretical, and art historical texts by the artist, writer, and filmmaker Aria Dean.
2021
English edition
Sternberg Press
In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.
2019
English edition
Sternberg Press
Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.
2018
English edition
Sternberg Press
Why has there been so much interest in “surplus value” in recent years? In “The Outside Can't Go Outside”, artist Merlin Carpenter considers how this term has been inserted into contemporary art theory following the financial crisis of 2007/8.
2016
English edition
Sternberg Press
An historical and theoretical account of painting as a privileged practice, discourse, and institution of modernity (contributions by Benjamin H. D. Buchloh, Sabeth Buchmann, Isabelle Graw, Jutta Koether, Jacqueline Lichtenstein, Matt Saunders...).
2014
English edition
Sternberg Press
Critical texts by Kim Gordon brought together for the first time.
2012
English edition
Sternberg Press
(last copies available!)
Minimalism and the return of human figure in art, in the light of Franco Berardi's theory of semiocapitalism.
2011
English edition
Sternberg Press
The dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin.
2010
English edition
Sternberg Press
Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates.
2008
English edition
Sternberg Press
currently out of stock
Book based on the conference “Canvases and Careers Today” which was initiated by the Institut für Kunstkritik, Frankfurt am Main.
2008
English edition
Sternberg Press
Under Pressure (edited by Daniel Birnbaum and Isabelle Graw) gathers together the contributions to a series of conferences held at the Institut für Kunstkritik from 2006-07.
2015
English edition
Sternberg Press
sold out
First published in German in 1987, this is artist and writer Jutta Koether's meditation on painting. In novella form, f. follows several disembodied female characters as they consider velvet, coral, the curtain, money, color, red.
2013
English edition
Sternberg Press
sold out
Painting's traits and reception in cultural and socioeconomic discourse.
2010
English edition
Sternberg Press
sold out
Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts.
