A wide-ranging discursive study of the cultural geography of the Central European avant-garde between the wars.

First monograph.

30 artists and 10 authors talk about water.

10 years of stolen iPhone photos of dogs. We follow the author's life and peregrinations, the constancy of a singular passion and the evolution of phones, all with images that are still modest, but constitute a substantial sum—1000 images in 384 flip book pages, with the Instragram scroll effect.

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

First monograph of the Franco-Iranian artist.

Retrospective monograph: a panorama of Jennifer Caubet's work over fifteen years.

A sort of anti-monograph in several episodes proposed by the artist Simon Nicaise around his project of Tour de France of trades and practices.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

Stud compiles photographs that Aurélie Jacquet and Aurélien Mole shot while they were students at the French National School of Photography.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.

A visual archive of the Islamic State's destruction of artifacts.

This catalogue documents a collective exhibition program inspired by the writings of Charles Fourier. “L'Écart absolu” is a dialogue between architecture, artistic heritage and contemporary works, in which artists come together, interact and experiment on the edge of design, visual arts, decorative arts and applied arts.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

Facsimile reprinting of Paul Rand's graphics standards manuals for the redesign of the visual identity of the multinational technology company IBM from 1962 to 1987.

Antoine de Galbert offers a glimpse into his collection, freed from the traditional norms of art history: an immersion into his artistic universe, through a selection of over two hundred works presented without hierarchy or classification.

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

The result of a remarkable editorial work whose graphic design is signed by Syndicat and Lucien Pelen, this first monograph brings together fifteen years of photographic and video production, unpublished contributions, texts and the making-of of the actions carried out by the artist.

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

A collective reflection on cooperative and co-creation artistic practices engaged in the social field.