Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

A manifesto for possible future music.

A manifesto for possible future music.

An essay on the singular universe of the director, scenographer, choreographer, puppeteer and visual artist Gisèle Vienne.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.

The new book from French photographer Estelle Hanania gathers over ten years of collaboration and archives revolving around the artistic universe of Gisèle Vienne.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation, centered around a long unpublished transcript of a talk poem by David Antin.

A book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation.

Matali Crasset's wild houses.

The two books by Matali Crasset published by Shelter Press (special offer).

Soil Affinities explores the connections of (post)colonial history and the movement of plants for agriculture, from Aubervilliers, a northern suburb of Paris, to formerly French West Africa (Mali and Senegal). This publication and Uriel Orlow's eponymous project retrace the lines and networks of earthly connections between plants and humans through images, maps, texts, and interviews conducted in France, Senegal, and Mali over the span of two years.

Polaroid works.

The production of alternative and solidarity-based knowledge through the linguistic, sexual, biological and geographical margins.

This publication by the French artiste focuses on his work with color. It gathers a series of 41 photographs, along with texts by Claire Moulène and Mick Peters.

This catalogue presents a series of vases produced by designer Matali Crasset during a residence at the national porcelain manufactory of Sèvres, in France. The publication gathers 3 notebooks, printed on 3 different papers, including Polaroids of vases photographed by Julien Carreyn, drawings by Crasset and miscellaneous documents.

Conceived on the occasion of the eponymous exhibition at Le Bal, Paris, this publication is a poetic, abstract, fragile attempt to translate something of our times: being in a state of suspension. It subverts the idea of a traditional catalogue to transcribe this intangible and indefinable state through a continuous stream of black-and-white images supported by excerpts from Jacques-Henri Michot's Un ABC de la barbarie.

Conceived on the occasion of the eponymous exhibition at Le Bal, Paris, this publication is a poetic, abstract, fragile attempt to translate something of our times: being in a state of suspension. It subverts the idea of a traditional catalogue to transcribe this intangible and indefinable state through a continuous stream of black-and-white images supported by excerpts from Jacques-Henri Michot's Un ABC de la barbarie.

Oompah, Tom-tom, Tootle-too & Toot narrates the story of four members of an orchestra who animatedly chat during a break backstage at the Henry Le Bœuf concert hall in Brussels. Through gossip, arguments, and existential crises, they shake the axioms and notions of community, authenticity and happiness. The dialogues by Lili Reynaud-Dewar are illustrated by Kristien Daem's photographs of Gaillard & Claude's sculptures.

Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

This publication documents a work by David Horvitz made on the occasion of a Bas Jan Ader-themed exhibition in Holland in 2012. Annoyed by the curators, Horvitz literally disappeared one month before the show, leaving all his belongings and quitting social media. He returned on the exhibition's closing day, and explained his piece to the curators.

A queer travelogue of a boating voyage on Belgium's inland waterways with merman and singer Steev Lemercier in the company of Chanel and Dolce, who are a cat and a dog, during the first months of their friendship with the author. With photographs by César Segarra.

Fanzine-like artist's book gathering historical anecdotes on modern print culture.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

This new monograph gathers 42 images documenting 3 years of photographs taken between 2011 and 2014 during the Purim holiday in the neighbourhood of Stamford Hill, London.

Nine possibilities for a cat tree (artist's book).

First monograph.

Monograph / artist's book dedicated to Davide Balula's "Burnt Paintings".

New monograph / artist's book based on a series of paintings realized between 2012 and 2013.

A double exhibition, a mirroring situation or a splitting divergent show between Helsinki and Brussels.

The first poetry book wrote by the visual and sound artist Felicia Atkinson.

Abstract paintings and erotic-mystical photo-collages by French artist/musician (first monograph).

A score for 51 human voices intended to mimic the sound of the sea, displayed as loose sheets slipped in PVC sleeve. David Horvitz's hommage to Pauline Oliveros.

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

Animals questions through a poetic approach the modernist apprehension of time and locomotion, in the realm of today.

Twenty-one collage works by Swedish artist Malin Gabriella Nordin, between painting and sculpture (artist's book).

Alberto García del Castillo's first novel is a comedy-science-fiction novelette about “faggotry” and the art world; depicting a retour-au-passé in contemporary painting and waving to some of the most beautiful homosexuals on Earth.

First monograph.