Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.

First monograph.

The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.

As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.

BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.

Over 15 years of subversive installation art from a Copenhagen-based collective.

An overview of the French mixed media artist's work, engaged with historical and found imagery.

Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.

A multimedia meditation on time, memory and cultural identity.

Monograph based on Carolyn Lazard's eponymous video installation drawing from the sensorial legacy of flicker films.

Retrospective monograph.

This new monograph aims to highlight the fundamental areas of Pietro Roccasalva's production through fifty works from the late 1990s up to the present day, including new and unpublished works from the artist's studio as well as public and private collections. 

The widest and most complete overview of Cinzia Ruggeri's career to date.

Alien Armpit brings together short texts and images that the artist Vanessa Safavi made between 2013 and 2022.

The first comprehensive publication documenting Israeli artist and experimental cinematographer Ran Slavin's work.

X Museum 2020–2021 is the first chapter in a series of annual publications dedicated to the activity of the newly opened museum in Beijing.

A critical anthology on the spatial mediation of art consumption through digital technology.

Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.

A bilingual text by Alessandro De Francesco that blurs the boundaries between art and poetry.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.

First monograph.

Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.

First monograph.

First monograph.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.

The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.

A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art.

The catalogue of ARS22, the tenth edition in the series of major international contemporary art exhibitions originally launched in 1961 in Helsinki.

New monograph, highlighting the topicality of the issues that run through all of Ericka Beckman's work over some forty years.

This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.

With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.

First monograph of the Kenyan artist.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

First monograph.

Forty-Nine Exhibitions survey Bernhard Rüdiger's work over thirty-five years, organized in reverse chronological order.

A colorful and lively journey through Tyra Tingleff's artistic practice.

First monograph.

A new publishing project documenting the duo's artistic trajectory with a particular emphasis on their discursive production.

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

First monograph.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

First monograph.