A complete survey of performance arts between Canada, Peru, Taiwan, Portugal, Germany, and Slovakia.

A critical and visual testimony about a cultural and artistic exchange project between the two cities of Quebec and Bangkok.

A complete survey of performance arts between Canada, Cuba, Noway, Philippines, and Poland.

A complete survey of performance arts between Quebec, Colombia, Spain, Switzerland, Uruguay, and Vietnam.

A complete survey of performance arts in Latin America and Asia today.

The 15th Rencontre internationale d'art performance (RIAP) in Quebec: sound performance, poetry, action art.

Catalogue of a double exhibition in Quebec and Cuba.

Catalogue of the 14th RIAP in Quebec.

Catalogue of the 13th RIAP in Quebec.

Catalogue of the 2002 edition of the RIAP in Quebec.

16 Quebec artists and collectives selected by Bunker Sztuki, contemporary art center in Krakow.

New approaches to in situ, contextual and relational art.

A free-cultural exchange between Quebec and Mexico art centers.

Performances and actions by the twenty-four artists.

A retrospective of the activities of the alternative art center Le Lieu in Quebec.

Conversation between six artists from six Asian countries.

27 artists from 14 countries around a performance and interactive TV program.

Performances and conversations with 30 artists from Quebec and overseas.

Catalogue of the 7th Festival d'in(ter)vention, focused on audio and radio art.

A report of the activities of the art center in 1990-1991.

The diverse range of practices that center on the voice.

A repertory of performance art practices in Canada over twenty years, with contributions by art critics, historians, and artists, a history of performance in Quebec and Canada, teh report of 35 major events, the description of 2000 performances, more than 600 photos, a bibliography...

The report of the first Biennale of contemporary art and performance in Quebec.

Catalogue of the 5th Festival d'In(ter)vention curated in Poland by Quebec art center.

An “editorial performance.”