Bierke

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

The reprint of a document containing the script of Skip Norman's film On Africa (1970).

Natascha Sadr Haghighian charts modes of strategic ignorance and recognition that operate in structural racism.

Dedicated to the activities of the Association for the Palliative Turn (APT), The Palliative Turn Number 1 proposes a fundamental shift in our attitude towards art and culture, informed by the practices of palliative medicine and care.

A look back at the collaboration and intellectual exchanges between Harun Farocki, Hanns Zischler and Heiner Müller.

Ben Alper and Stanley Wolukau-Wanambwa present visual unknowns and forgotten gestures from the defunct archives of American mid-century news photography.

A glimpse into the genesis of Harun Farocki's film IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR (1988), which evolved from the unrealized project "On the History of Labor" between 1985 and 1988.

Nadira Husain's comprehensive work is brought together in this monograph for the first time in its breadth and complexity and shows over 100 works from the past six years.

An essay that extends Ingemo Engström and Gerhard Theuring's movie.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.