Vand'Œuvre / CCAM Éditions

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

A sound dialogue between eRikM and Anthony Pateras.

In Myotis, Anthony Laguerre goes beyond rhythm using improvisation and a free approach as main technical support of invention. In a research based on rhythm and sound material around drums, he expresses sensitivity, softness and power thanks to expert skills and sound recording techniques. The union of these materials create songs made of multiple tones combined with percussions and occasionally harmonica.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

This duo started in 2014 with the idea to transform the acoustic instrument into a real electroacoustic one. Transducers, springs and microphones are attached to the cello which is then processed through electronic and tape. This CD comes from several hours of improvisations recorded in studio and reorganised to build six pieces of abstract electroacoustic music.

A musical, ecological and philosophical production for which Guigou Chenevier signs the score.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

Michel Doneda and Lê Quan Ninh started working together in 1986 but "Aplomb" is their very first recording as a duo. An art of breath and of beating, a supple gesture for a subtle yet penetrating sound object.

A studio album of songs by Frédéric Le Junter (voice, texts and home-made instruments) and Dominique Répécaud (electric guitar), where the music is truly at the service of texts with a pataphysical and surrealist edge but still in the realm of popular music.

First meeting recorded live at Swissnex, San-Francisco, in February 2009 (Fred Frith: electric guitar; Michel Doneda: soprano and sopranino saxes).

An improvised and radical meeting between Natacha Muslera's voice and Jean-Sébastien Mariage's electric guitar.

The lyrical and earthy flight of Isabelle Duthoit, the furious growls of Johannes Bauer's dandy trombone, the electrifying stripes of Luc Ex, the legendary founder of Dutch group The Ex, produce a passionate musical mix.

By reorchestrating its previous pieces, the drum/violin duo Filiamotsa, here expanded by the saxophone, keyboards and trombone, has reinvented itself and enlarged its palette of sounds.

The original music composed by Ghédalia Tazartès for the theater play "Jeanne la pudeur" after Nicola Genka.

Unreleased tracks by Pascal Comelade recorded here on a collector 10" vinyl numbered to 1 000 copies. Listeners will discover his covers of the Ramones, Chuck Berry, Jeffrey Lee Pierce, The Gun Club, Lords of the New Church (recorded live with the Bel Canto Orchestra in 2005 at the TGP in Frouard) as well as original pieces by Pascal Comelade. 

Camel Zekri (electroacoustic guitar), Thierry Madiot (bass trombone and trumpets), Daunik Lazro (baritone saxophone) and Dominique Répécaud (electric guitar) reach a rare degree of balance between softness and roughness, between lightning and harmony.

A quartet of string and woodwind instruments brings together masters of free improvisation.

Olivier Benoit (acousticized electric guitar) and Jean-Luc Guionnet (alto saxophone) present seven journeys, seven light touches, at times on the brink of silence.

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

A poetic odyssey on solo piano.

Created in the Musique Action Festival of 1999, this recording is a collaboration between two trailblazers of new music.The duo convey their strong sonorous density through short and intense compositions, in which improvised music meets progressive rock.

A piece for string quartet, narrator and fixed sounds, guided by the texts of Edmond Jabès and Franz Kafka, in dialogue with those of Marc Feld and Michel Butel.

The meeting, on the Niger River, between contemporary improvised music and African musical traditions.

A mix of absurd poetry and homemade music, these seven songs and two instrumentals give life to Frédéric Le Junter and Pierre Berthet's musical creations founded on quirky objects.

Unreleased recordings from Vandoeuvre's Musique Action Festival, produced between 1998 and 1992 for the festival's 10th anniversary. The blossoming style of the music of the 80s can be heard throughout the album.

This trio has only one line of instrumentation and remains in total harmony throughout, though the melodies and the rhythms often arise from unexpected places. An incisive and vertiginous climb towards pleasure and dreams, street music and dance music; these fragile and volatile moments were fixed in concert in Vandœuvre in 1989.