Students Of Decay

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

Flanger Magazine's second album integrates strings, wind instruments, percussion, and synthesizers, and subtly blends folk, Americana, chamber music, electronica, and jazz in a suite of pastoral, ethereal, and kaleidoscopic pieces.

The new full-length record from the duo of Glasgow-based artists Feronia Wennborg and Simon Weins, examining microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

The new Tom James Scott record, the first document of his solo work since 2017.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.