La Maréchalerie

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.

A hybrid edition (a vinyl record with a newspaper and an insert) extending the artist's research on the links between sound, architecture and the history of spiritism.

First monograph.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

The publication presents a series of works and two critical texts stemming from Bertrand Lamarche's project on the occult figure of Baphomet.

First monograph, spanning ten years of work by Senegalese artist Sheikh Ndiaye. This volume focuses more specifically on his installation practice, in particular the artist's Hippocampus project. It also features a text by Mamadou Diouf and an interview with Ndiaye.

This catalogue / artist's book extends a three-chapter exhibition reflecting on the concept of Home. The publication includes reproductions, exhibition views, a text by Marie-Gabrielle Duc, and an interview with the artist by Emmanuele Quinz.

This artist book is at the intersection of art, archaeology and genetics. It translates several years' research in the fields of archaeology, genomics and ethics into a publication at the interface of art and science. It consists of three essays by specialists and an interview, images from the Inrap collection and views of the artist's installation at La Maréchalerie, a contemporary art center in Versailles, France.

A new architecture of ruin, using wood and steel from the Baumettes prison in Marseille.