CEC (Centre d'édition contemporaine)

A very personal text by Yann Chateigné Tytelman, curator and critic, who establishes a link between his past, his childhood and his career as a curator, his artistic choices, his exhibitions, often in connection with the theme of silence.

An analysis of the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959, and of the Situationist International's ambivalent relationship with the format of the exhibition, the museum and the institution.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

Giulia Essyad's Blueberry Studies, part of her Blue Period cycle, where blue skin is central.

David Hominal breathes new vitality into the exercise of still life, through a series of paintings of dead leaves.

A selection of recently exhibited works of the Californian artist.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

Anne Dressen talks about her curatorial practice (and more broadly about the world in which it takes place); Nick Mauss, with whom the curator exchanges regularly, intervenes in her text, by insertions and echoes.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

Second in a trilogy of children's books, The Brutal Turtle tells the story of a Turtle wandering in the desert, trying to reach the animal farm. Facing cruel obstacles during his journey, he becomes angry and terrorizes the farm's people once he arrives at the farm. A tale on power's relativity, hate, violence, and on the importance to be nice.

The last in a trilogy of children's books, this publication tells the story of a hamster stuck between the pages of a book. Wishing to escape to discover the animal farm, he will find the help of his own fleas. A story about caring and learning, by artist Keren Cytter.

This artist's book reproduces a series of comics made by Victor Man when he was a child in communist Romania in the early 1980s. These drawings reveal the artist's fascination for the then rare Western magazines. The publication opens with a letter from Victor Man to little Rózsa, to whom the book is dedicated.

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Triple vinyl LP featuring a collection of recordings by by renowned visual artists (with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger & Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar et Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne, and Ricardo Valentim).

Artist's book divided in two series of works elaborated from Gasser's own archives: an explosive combination of images drawn from art history, pop culture and current events, building up a retrofuturistic universe facing financial, ecological, religious and political distress.

New Facsimile edition of a brochure published on the occasion of an eponymous exhibition at Centre genevois de gravure contemporaine in 1995.

An artist's book by Raphaël Julliard built around his meeting with post-minimalist artist Richard Tuttle.

52 notes on paper documenting the artist's daily life in Berlin between 2010 and 2012, and several reproductions of paintings, sculptures, collages, drawings and silkscreen prints.

Reproduction of 210 drawings and a text by Oscar Tuazon (artist's book).

The Bible according to Jeffrey Vallance: a mystical and blasphemous apocryphal tale.

Designed from photographs of Decrauzat's films, this artist's book offers an experiment of retinian excitement echoing the syncopes of the reel. Each copy was bound together following a random repartition system and is therefore unique.

The story of the Centre d'édition contemporaine in Geneva.

108 textual fragments of a journey through the Eastern United States.

Artist's publication featuring a briefcase with 18 folded prints: introductory note, posters reproduction, streetview photographs, selection of texts on previous projects in Denmark, Los Angeles and Geneva, posters' translations and an essay by geographer Doreen Massey.

An intimate and unsettling diary featuring 56 self-portraits drawn in black and coloured pencils, extensively annotated by the artist.