Nero

Cloak is a total-blue book which documents a site-specific intervention by Mike Nelson in the UBS building in Monaco. The artist has painted every single room and detail of the building with a pigment called ultramarine blue, extracted from the precious lapislazzuli—originally from the Middle East, and more expensive than gold.

This publication, edited by Enzo Cucchi, gathers drawings by Alex Katz and words by his son Vincent. It is a project that takes shape through the intimate relationship between the three subjects.

This catalogue presents the projects of artists, designers, writers, directors, musicians, performers, philosophers and researchers in residence at theVilla Medici – French Academy in Rome during the year 2015-2016.

7759 – Bodies, Logistics, and Labor is a collective collection of essays which also includes two photographic works by Stefan Burger. The publication examines the notions of surplus value, logistics and globalization, in the framework of a case study on the self-managed dockers from Genoa.

Catalogue of the 16th Art Quadriennale—the exhibition that brings together in an in-depth and articulated manner, the artistic and cultural production of Italy after 2000. The publication includes a photographic documentation revealing the 150 works on display, a glossary, and bibliographical notes.

Photographic appendix to the eponymous catalogue covering the 16th Art Quadriennale. It completes the documentation with images of the installed works and performances.

Catalogue dedicated to the Polish painter and conceptual artist, featuring his most recent works, an essay by Maria Brewińska, and an interview. The publication reviews some of Bujnowski's key concepts, such as painting as a physical object and its concomitant deconstruction, the centrality of time and the question of futurology, and the randomness of existence.

Paperback tribute guide to the work of Italian artist Salvatore Mangione (Salvo).

Founded by Marinella Senatore, the School of Narrative Dance is an international initiative which proposes an alternative system of education, based on emancipation, inclusion, and self-cultivation. The School implements multidisciplinary projects focusing on storytelling and choreography. This publication documents a workshop at MAXXI, Roma, involving more than 300 people for five months.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

The first monograph ever published on the work of Roman Stańczak: an incredible opportunity to discover the work of this influential and yet under-known artist. The publication includes an interview with Stańczak conducted by Zuzanna Hadrys & Michał Lasota and essays by Jan Verwoert, Zofia Krawiec, Łukasz Ronduda in addition to an extensive portfolio of images.

This artist's book presents a series of polaroids taken from inside a moving car's trunk portraying a dream-like sunbathed Los Angeles landscape, or indeed, an image that is now firmly imprinted in the collective imagination—asphalt, cars and palm trees silhouetted against expansive skies.

Uniting the artist with two scholars of the Medieval Mediterranean, John Lansdowne and Christopher MacEvitt, this volume illustrates the movement of objects, images, people and places between Palestine and Italy.

Vitrine is the catalogue of the namesake project organized by GAM museum in Turin. Beginning four years ago, “Vitrine” has as its primary objective the research in the field of contemporary art. The title of the 2015-2016 edition, “Possibilità” (Possibilities), refers to the transformations that take place during one's life and their fluid and uncertain nature which is retraced in art.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

An interactive catalogue in the form of a map with replicas of the works exhibited by the artist at Turin's Palazzo Madama.

The publication is the first comprehensive review of Oskar Dawicki's oeuvre. Trained as a painter, it was his practice as a performer and as a post-conceptualist with a singularly fatalistic slant that brought him into the public realm.

Homeschooling (parental education) is at the center of the performance and video work by Angela Marzullo, who, in analyzing critical texts from the '60s and '70s, recreates them involving her two daughters as protagonists. The publication presents a decade of Marzullo's works, highlighting the evocative value and content of images and text.

Artist Marc Horowitz has photographed each page of an art catalogue by Phillips, the famous auction house in New York, having placed on the pages the residues of junk food: an irreverent work staging the encounter between art and consumption (artist's book).

Sicilia Bambaataa is a booklet, risograph printed, which documents the namesake installation, a “soundscape” within the Museo Civico in Castelbuono, Sicily which plays in loop, repeating the audio recording of the dawn chorus, slowly diminishing as the city awakes.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

In this catalogue, Charles Mayton interrogates the techniques, vocabulary and conventions of painting, exploring the essence of the table.

Labics: Structures covers an installation of 50 architectural models realized by the studio Labics between 2014 and 2015.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

A selection of xerox copies coming from original drawings reproduced by hand fifty times by twenty artists as part of an editorial game organized by Fabio Marco Micheli and Gigotti Pirovino in 2014 (limited edition).

Twenty-nine artists invest a forgotten building site in Roma during 72 consecutive hours without any institutional oversight.

Catalogue / artist's book.

Artist's book / catalogue.

An overview of Giuseppe Stampone's recent works.

A project about the issue of animation and cinema in the field of visual arts, and the possibility to give life to the draw, the silhouette, the puppet, or the photographic image.

Disordered Structures is a book of drawings by the Polish sculptor and installation artist, which documents her artistic research on structures and constructions.

Doris Maninger's drawings (artist's book).

This wide format book is a collection of snapshots from the exhibition of the same name (Depart Foundation Rome), which have a melancholy aspect and invoke personal recollections of places and events. These photographs explore the sense of nostalgia and of lost innocence in the transition from childhood to adulthood.

An attempt to question the possibility of understanding a territory by following its geography.

A publication curated by the Berlin-based platform V4ULT, that explores interfaces in relation to spatial dimensions, both physical and digital, and suggests ways to design more responsive environments.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party.

A research project in progress developed by the artist Johanna Viprey: the book narrates the encounter that has led the artist to investigate the personal history of Jeff Perkins, American performer painter and documentary filmmaker, from an anthropological perspective.

A narrative book which tells about personal events through a collage of texts and images.

The catalogue of Koki Tanaka's exhibition for the Japan Pavilion at the 55th Venice Biennale.

Conceived as an artist's book as well as a work of art, All I remember, is a collection of 477 backs of photos retrieved from the archives of the most important daily newspapers in the world, collected and photographed by the artist over the last three years. Benassi has selected the most significant photos of the 20th century in a backwards route through personal and collective memories.

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

Global Tools 1973–1975 documents and narrates the story of the eponymous experience of Radical Design and its multidisciplinary school program "without students or teachers."

A photo book by Jacopo Benassi that brings together images in which the artist portrays and documents his own intimacy over a 25-year period, from the day he announced his homosexuality: a human journey comprising meetings that have left an indelible sign on his personal story as an artist. 

An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

This book is dedicated to the work of Marcin Rusak, as part of a series of monographs on the thought and work of young contemporary designers.