Founded in 2006 with Mousse Magazine, Mousse Publishing grew out of the demand felt in the sector for a new attitude towards art publishing. The underlying idea was to give every collaborative project (with museums, institutions, fairs, galleries, artists and curators) the originality, care and attention that have always distinguished the publisher's high-quality work.
This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.
Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.
First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.
After a previous focus on questions of historiography and the archive, In Medias Res #2: Architecture in Motion continues Fluentum's ongoing investigation into the history of its grounds with a focus on its architecture and surrounding material culture, both past and present.
Publication based on a project initiated by Dora Budor at Progetto (Lecce, Italy) in 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy.
Retrospective monograph of the painter, sculptor and engraver Rubem Valentim (1922-1991), an emblematic figure of the Brazilian art of the 20th century.
The outcome of an examination of the collection of the Kunstmuseum Liechtenstein, and thus the history of the Museum, by four different contemporary artists.
As you go… roads under your feet, towards the new future is a long-term project and research inquiry that reflects on the Belt and Road Initiative and how it will alter the aesthetics and practices of everyday life in different local contexts.
BODIED unites an internationally diverse group of artists who, in positioning the body at the centre of their work, explore how our physical forms are shaped by the social worlds around us.
Conceived as a monographic reader, theis publication compiles for the first time an extensive, decade-spanning collection of Kirchenbauer's seminal and profoundly perceptive essays, the scripts of her widely celebrated moving image works in conjunction with selected video stills, as well as exhibition views.
This new monograph aims to highlight the fundamental areas of Pietro Roccasalva's production through fifty works from the late 1990s up to the present day, including new and unpublished works from the artist's studio as well as public and private collections.
Published in conjunction with the exhibition Uncombed, Unforeseen, Unconstrained, a Collateral Event of the 59th International Art Exhibition | La Biennale di Venezia, 2022, this book documents the deeply thoughtful responses of eleven international contemporary visual artists to the state of the world in the early twenty-first century.
Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.
An overview of Dawit L. Petros's expansive suite of works reflecting the lingering effects of colonial brutality and revealing the links between the contemporary resurgence of nationalism and a suppressed colonial past.
Fabien Giraud and Raphaël Siboni echo the fictional world of their films and the real world of their objects and sculptures, at the end of an exhibition-series developed over a decade.
An extension of
Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.
The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.
The role of masks throughout history, materialized in the works of twenty-one artists: a look into the ongoing radical reshaping of our multiple historical, sociopolitical, sexual and transcendental identities, inquiring about the current processes in which we shape-shift from one to the other.
This monograph spans two decades of the internationally acclaimed American artist Ellen Gallagher's career, including paintings, works on paper as well as three film installations created in collaboration with Dutch artist Edgar Cleijne.
With this book, Swiss artist Judith Kakon extends her artistic practice by relating her works to her working materials in a nonhierarchical and nonlinear manner.
A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.
