(SIC)

In I Swear I Saw This, Michael Taussig highlights the heuristic function of the sketches and drawings made by the ethnographer in his notebooks.

This artist's book presents a series of silkscreens on wall made by Pierre Lauwers between 2014 and 2018. These murals were digitally reproduced and reduced to 1:4 for offset printing.

This artist's book designed by Belgian artist Olivier Foulon is the result of a years-long research on an abandoned sculpture project by Isa Genzken in Rotterdam. It features two essays on Isa Genzken by Jan van Adrichem, a section gathering archival documents, and a comprehensive press kit referring to the aborted project.

A study on the structural continuity in Alberto Giacometti's work, beyond the formal rupture engaged after his surrealist period.

This artist's book presents a set of photographs made by Belgian artist Sophie Nys during her stay in Zurich. It features each of the modernist fountains produced by designer Alfred Aebersold in the 1970s and scattered throughout the Swiss city. The images are associated with amusing and clever captions written by Leila Peacock, a Scottish artist living in Zurich.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

This seventh issue gathers six polymorphic texts about the many aspects of drunkenness and intoxication in art and society (with Sébastien S. Th. Biset, Antoine Boute, Emmanuel Giraud, Pierre Hemptinne, Tom Marioni, Véronique Nahoum-Grappe).

Catalogue.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

“Livre VI” of the (SIC) journal takes the form of a book by Dutch-speaking Belgian philosopher Dieter Lesage (director of RITS | School of Arts). “Art, Research and Politics. Essays in Curatorial Criticism (1999-2014)” spans fifteen years of Lesage's critical interventions in the field of art, politics, and culture, analyzing and unraveling curatorial rhetorics and strategies which during that period marked the so-called art world.

A comprehensive examination of Robert Smithson's work and creative process.

What cinema is.

The catalogue of the artists' residency curated by (SIC) at the 55th Venice Biennale, with about 15 Belgian visual and video artists and authors.

Retrospective monograph of one of the most uncompromising and experimental painters working today (also available in English and Dutch / English editions).

Retrospective monograph of one of the most uncompromising and experimental painters working today.

Retrospective monograph of one of the most uncompromising and experimental painters working today.

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

The reception of Jean-Luc Godard's oeuvre by American visual artists.

French edition of a study which not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.

Artist's book.

Andy Warhol special issue.

Artist's book inspired by "Alice in Wonderland."

Artist's book inspired by "Alice in Wonderland", rendering the fantasies of childhood and the joys of gathering.

A collection of texts about noise music: gesture, act, concept and performance.

The artist as a theoretician: six essays (one text in English) on the question of reciprocity between theory and art practice.

A collection of texts devoted to modernity in photography.

A collection of texts devoted to drawing.

The question of the body in the field of cinema, with a special project by David Claerbout.

Five essays, with a special project by Olivier Foulon.

A tribute to the French artist Jean Dubuffet (1901–1985) and to the typographic strategies with which Dubuffet achieves, on a visual level, his plan to destroy language through books and lithographs.

First monograph: a survey of the Belgian artist's work over more than 35 years.

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

How does the concept of situation enrich the syntax of contemporary art? Which perspectives sketch today this question? Six essays, with a graphic intervention by Vaast Colson.