various

Thomas Köner's new album, marking the relaunch of the lengendary Mille Plateaux label.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

Jean-François Bory's travel diary to Japan.

Thinking design with philosophy (a teaching manual).

Photo documentary set in a deserted Geneva during the G8 counter-summit in 2003. The series stages the abandonment of the urban space and its transformation through the deployment of defense barricades.

Artist's book stemming from a performance by the Swiss feminist artist, featuring newspaper cut-outs evoking the female sex (limited edition).

This photographic publication documents the ecological and human devastation caused by the construction of the Belo Monte dam in the Amazon.

The theme of this issue, put together back on the pandemic, is an examination of a new sort of figuration in painting that has emerged in recent years.

First monograph dedicated to one of the most recognized independent French graphic design studios.

À La Becque is a semi-digital sonorous publication documenting the meeting of three musicians during their brief stay at La Becque, an artist residency in La Tour-de-Peilz (Switzerland). Both a digital album and artist book, the publication comprises 12 pages printed on a risograph, and includes a hyperlink to download seven improvisations (keyboards, voice, synthesizers and objects; 38 minutes).

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

52 short poems, written in a nervous prose during periods of trance. A response to the “disease of globalization.”

Éric La Casa probes his inner sound environment through the recording of his Parisian apartment, an artist's studio and the empty spaces of a museum.

A series of drawings that retrace a trip to California, where the multiplied and labyrinthine architecture invites the visitor to wander between reality and fiction.

A free reflection on the influence of Bertolt Brecht in the work of Nina Hagen, this hybrid text approaches two great popular figures of German culture through an unusual prism, through the margins, and paints a portrait of Nina Hagen as we have never seen her before.

A portrait of Claude Ollier (1922-2014), writer of the Nouveau Roman, where memories, reflections, hypotheses and descriptions are intertwined, with a notebook of photographs composed by Camille Rosset.

A piece of industrial musique concrète composed in the studios of GRM, created from field recordings of a vinyl record pressing plant: a mise en abyme of the record as an object.

A timeless collection of 9 evocative minimalist soundscapes, available on vinyl again (remastered by Giuseppe Ielasi) after 10 years.

The new Tom James Scott record, the first document of his solo work since 2017.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

Serendipity and “accidental intelligence”.

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

First French translation of Shulamith Firestone's first novel.

Six pieces exploring multi-phonic spaces on the clarinet and alto saxophone, spaces linked to breath and the sonic landscapes developed by the amplification.

Delirious comic strip by Costes about coronavirus and containment. Two original color drawings pasted in the book, signed and numbered by the author.

The fifth volume in Jack Pierson's famed Tomorrow's Man series associates archival material and works by contemporary artists in a collage-like design to produce an exploded vision of the current visual landscape, draped in vintage homoeroticism and glamour.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

Teruyuki Kurihara's full-length album on Mille Plateaux is inspired by nature, particularly the cycles of "destruction and creation", characterised by industrial and experimental music cast in minimalist fashion.

The third title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by photograph Yves Gellie, a work on light and perception.

Catalogue of Soun-Gui Kim's retrospective exhibition in South Korea: an overview of her work since the late 1960s.

A previously unreleased concert recording from 1983 by Das Moabiter Duo (Sven-Åke Johansson and Thomas Kapielski). An eclectic improvisation associating drums, electronics and concrete music, offering a snapshot of the experimental Berlin scene of the 1980s.

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

A return on Mark Geffriaud's film installation (artist's book).

A notebook based on Ursula Biemann's latest film, Acoustic Ocean, an expedition to the depths of the Arctic Ocean in search of interspecies communications.

Artist's book.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

The eighth issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne focuses on the relationship between heritage, ecology and creation.

This catalogue presents the artist's recent works, tackling issues related to the plasticity of space and the creation of gaze. It brings together exhibition views and photographs, an essay by Florian Gaité and an interview with Marion Guilmot.

Vinyl record unique for each edition, accompanied with a 36 page booklet with 16 drawings by Stéphane Thidet.

The Canadian artist's second album features two immersive pieces that explore ideas of compositional drift: The Nonsuch is inspired by nocturnal hallucinations while In Praise of Blandness builds on sinologist François Jullien's concept of “blandness”.

First duo album with Quentin Rollet (saxophones, synthesizer, electronics) and Romain Perrot (keyboards, electronics, voice).