various

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

A musical and poetic performance by the Italian artistic collective.

First monograph of the Beninese painter.

First encounter of two essential figures of the French underground and alternative music scene.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Sonoris releases both on vinyl and CD, with a new mastering by Giuseppe Ielasi, some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty.

Gilles Coudert's film, narrated by Charles Berling, stages a dialogue between contemporary creation and heritage on the occasion of Traversées, a cultural event organized in Poitiers, with Korean artist Kimsooja as guest of honor.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Across the pages of this issue of Flash Art, there are three words that resonate throughout: coexistence, identity, and protest. While codes to define new standards of identity are being rewritten, populist authorities still distrust the idea of a diversified coexistence of individuals, inciting resistance in physical and digital realms and spreading confusion about who or what to follow or unfollow. This issue invites readers to pay attention to the stereotypes that infect our gaze.

How the question of legitimacy and authenticity has influenced the practices and receptions of hip-hop music.

Stefan Römer performs quotations from cultural or musical theoreticians commenting on performances by two iconic musicians, Syd Barrett and Conrad Schnitzler.

The musical adaptation of Joseph Ponthus' eponymous book by Michel Cloup (Diabologum), Pascal Bouaziz (Mendelson, Bruit Noir) and Julien Rufié (Michel Cloup Duo), between rock, reading, chanson and electronics.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

The new opus in the "Mind Travels" series is a fully accomplished symbiosis between the industrial and experimental tones of Geins't Naït and the celestial melodies of Laurent Petitgand, who refine and polish their sounds to build a fascinating, poetic and melancholic narrative.

Stereophonic versions based on the recordings and mixes used for the 4 sound installations, made in-situ between 2005 and 2016 (with Jean-Luc Guionnet, Arnau Horta, Seijiro Murayama and Michaële-Andréa Schatt).

Each of the stories that make up this collection of narratives has as its starting point a phrase that must be taken literally, in its literal sense. The writing then develops its poetic and imaginary potentialities.

The album “Balance” by Frank Bretschneider & Taylor Deupree was originally released in 2002 by Mille Plateaux on CD only. The 9 tracks are a perfect example for the aesthetics to arise within the Click & Cuts scene and (ambient-)glitch music movement of the late 1990s and early 2000s.

Originally released by the Grateful Dead's Round Records in 1975, Ned Lagin's Seastones is a pioneering electronic composition interweaving metaphors from nature, science, art and music and the origins of music.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

The series of photographs plastered by Alessio Bolzoni over twenty six billboards in sixteen different locations across the city of Milan.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

New monograph / artists' book.

Alter Architecture Research Collective's manifesto (contributions by Andreas Rumpfhuber, Tiqqun, Mariapaola Michelotto, Giorgio Agamben and Julian Siravo).

A phenomenology of voice and hearing.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Book / sonic sculpture.

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

First monograph.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

The “chronicle of a sideration” written during the lockdown between March and June 2020, accompanied by a textual contribution by Julien Coupat et alii.