various

Three new series of paintings depicting the artist's current concern with mortality and legacy.

An introduction to robotic art in twenty installations and performances. The catalogue includes a brief history of the artist and the robot's relationship by Austrian curator Gottfried Hattinger.

Schlecker by Rafa Castells displays a selection of pictures documenting the artist's day-to-day life. This first monograph also stands as an aesthetical essay on the symbolic effects of light and colour—offering a luminous discourse on photography and life.

Each issue of Gong! gives carte blanche to an artist to appropriate the space of the magazine. For its first publication, Gong! invited illustrator and fanzine publisher Mirena Ossorno.

A collection of poems inspired by the Greek mythological figure of the female sphinx.

First translation into French of the short story by Edward Page Mitchell—a major figure in the early development of the science fiction genre—, written and published unattributed in the NY Sun in 1879.

A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.

A tribute to the French artist Jean Dubuffet (1901–1985) and to the typographic strategies with which Dubuffet achieves, on a visual level, his plan to destroy language through books and lithographs.

An artist's book thought of as a supplementary edition to the artist's previous book as well as an extension of a performance set in MoMa PS1 in 2013.

Susan Hiller's postcard alphabet.

Following the social unrest and immolation acts in Southern Algeria in 2011, writer and journalist Mustapha Benfodil wrote this fictional monologue of a village's mortuary employee to reflect on the wounds of the Algerian society.

Theory, Spectacle and Film in the thought of Guy Debord and Raoul Vaneigem.

First anthology of Rosemary Trockel's collages, which are a key for a difracted and non-academic view on the whole work of this German artist known internationaly (German / English edition).

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia, accompanied by a reference book on the Belgian typographer which name has been associated with the Prize.

A previously unpublished text by Gilles Deleuze on Francis Bacon, with a set of contemporary readings of his Deleuze's writings on art, by philosophers and theoreticians of the various disciplines addressed (literature, cinema, music, art history...).

The previously unpublished transcript of a lecture by Jacques Derrida around the figure of the blind and blindness in art.

This book brings together authors, filmmakers, curators, critics, theorists, art historians, collaborators, and Stephen Dwoskin's film lovers, invited to parse the American filmmaker's work.

Interviews.

Mick Rock, Etienne Russo, Syd Mead, Claude Parent, Mas Yendo, Ricardo Bofill, Ferran Adrià, Aitor Ortiz, Geert Goiris, Etienne-Louis Boullée, Carlo Scarpa...

The first issue of the critical magazine published by the Ecole nationale supérieure des beaux-arts de Lyon is dedicated to George Maciunas.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

Artist's book (newspaper).

Artist's book gathering a selection of outstanding photographic strips that capture the subtle beauty of ephemera. The use of black and white strengthens the contemplative essence of the photographs, in between naturalism and abstraction.

First publication dedicated to Isou's extensive work with hypergraphics.

The transcript of the under-oath deposition of Richard Prince, sued for copyright violation.

Artist's book.

The journey of the MuMo, a mobile contemporary art museum in the form of a container traveling by boat and truck to meet the children on the roads of France and Africa.

From an industrial revolution to another, popular music at the forefront of social change in contemporary societies.

Catalogue / artist's book.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Water, porcelain bowls, hydrophones, condenser microphones, metal wire and wood spoons (vinyl re-issue of the CD released by and/OAR in 2009).

Five essays.

The sport center Z5 in Aix-en-Provence originated from the desire of football glory Zinédine Zidane. This publication documents its conception by architect Christophe Gulizzi. It features a humoristic text on the creation of the stadium by mankind by writer Jean-Michel Espitallier.

First monograph: a survey of the Belgian artist's work over more than 35 years.

Artist's book (a detailed and distanced description by Peter Wächtler of his experience as an extra on Bryan Singer's film "Valkyrie").

Frédéric Post's picture discs homemade with glued (artist's book).

Jean-Marie Straub and Danièle Huillet's writings, from 1954 onward.

Facsimile edition of an unpublished artist's book by Marcel Broodthaers from 1968 referring to Stéphane Mallarmé's poem “Un coup de dés jamais n'abolira le hasard.”

Poems by Henri Michaux / images by Rosemarie Trockel, created exclusively for this book.

An inventory of gestures of artists who deliberately destroyed their own works.

Based on workshop views, The Eraser showcases a gallery of altered, mutilated and deformed portraits of iconic cartoon characters in black and white paintings and drawings.

A 5-disc overview of exploratory works written between 2002 and ​2012.

A dialogue between two singular appropriations of the concept of cannibalism at two key historical moments: a new translation of Oswald de Andrade's cult poem, advocating the symbolic ingestion of the colonizer and his culture, faced with an analysis by Suely Rolnik of a perverted contemporary cannibalism experience in the context of financial capitalism.

Thorsten Soltau musical cut-up piece Grün wie Milch stands alongside Preslav Literary School's drone tragedy Alamut in this wonderfully designed split album.

The reprint of the publication pioneer in the artistic experimentations of the 1960s, published by the artist in 1962 (leporello).