An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

By renewing the dialogue with anthropology, this book invites the history of science to be refounded on other, more humanistic bases.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A collection of essays on audio archives of poetry.

Retrospective monograph.

The proceedings of a symposium dedicated to the work of French writer, playwright and poet Olivier Cadiot.

A poetic document found during a political rally in 2019 (against prisons), without author's name nor any indication of origin. Only mention at the bottom of the last page: copying. to be freely distributed.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

First French translation of Clemente Padìn's first poems.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins (limited edition, signed, including an original and unique artwork).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

An investigation into the female presence in the places of art and thought, where discourses on emancipation are fabricated.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A manifesto of the architecture of the air.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

A talk between three artists around Julia Scher's work.

Michael Scott's ink drawings .

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Erin Manning expands her research on movement politics to the concept of minor gesture.

The reception of Charles Fourier's thought in Japan.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

In 28 short poetic devices, the author marks a space of thought where the disenchanted memory strengthens the present word. Because “forgetfulness is also a violence”.

An anthology.

How to explain the intersection, during the twentieth century, of the ideology and theories on violence and creativity?

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

Hans Hartung and the cinema.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

An analysis of the relationship between art and literature over the last six decades.

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

The letters of Maurice Blanchot to François Dominique, which illuminate one of the last editorial projects of Blanchot; “Maurice Blanchot, writing and power”; an unpublished letter from Blanchot on the Cuban Revolution; the 68 years of Blanchot...

The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

A pioneering approach to the history of emotions.

Jean Laude's writings on art.