An multidisciplinary approach of the war by its traces.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

Rilke Shake—a humorous variation on the milkshake—summons part of the author's library (Mallarmé, Ezra Pond, Gertrude Stein, etc.) in poetic sketches that are in turn comical, burlesque, and absurd. At once trivial and erudite, this unbridled poetry explodes with images of parties—and the mornings after—, flashes of the street, and reminders of Brazil.

A poetic text fragmented into three parts each generating its own handicap in expressing the economy as alienation from life.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

A study of the Pictures Generation that considers the feelings provoked by sensational images manipulated by these artists.

The very first book devoted to the creations of artificial intelligences in literature and art, and the problems they raise.

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.

A thorough investigation that renews the understanding of Japonism from the French art of the nineteenth century, avoiding the temptation of orientalist exoticism while reversing the logic of influence, with an abundant also entirely renewed iconographic corpus.

Two studies by the pionneer of the popular music studies.

Blind spots of the ubiquitous digital—a critical and loving glossary: 138 entries to explore the unspoken aspects of new technologies, artificial intelligence and other aspects of digital.

An conceptual attempt to think differently about freedom in its acts.

This volume examines the protean and intermedial work of Pierre Alferi (1963-2023), in order to account for its singularity, and to situate it within contemporary poetic and artistic practices.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

The continuation by all means of an elementary poetry which develops always and still new poetic devices to restore the world.

A poetic journey through the anxious spaces of memory, explored here by one of the most powerful voices of Mediterranean poetry of his generation.

A very personal literary narrative, with a singular writing, of a migrant's experience of wandering and borders.

A transnational and transhistorical investigation carried out in the heart of museum and artistic practices between France and Senegal in the 1950s to 1970s, inviting us to decentralize our views in order to consider the globalized history of art of these years in a new light.

An exploration of the artistic myth of Michelangelo, which questions the multiple and contradictory uses of the past and the notions of reception, filiation and tradition that are revealed.

The diffusion and applications of Fourierist thought in the United States during the 19th century.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

A new and expanded edition of the reference flora, the result of 20 years of studies and floristic surveys on a multitude of urban wastelands, allowing, through 600 photographs and 800 original drawings, to recognize and name some 300 silent plants that we come across every day: a methodical herbarium of the wastelands which constitutes a true guide to biodiversity, beautiful and playful, accessible and rigorous..

How the impact of code on everyday life has become comparable to that of speech and writing.

This reference monograph, revisiting the conceptual and sensorial developments pursued by the artist since the 1970s, with a layout by graphic designer Zak Kyes under the artistic direction of Marc Camille Chaimowicz and Anna Clifford, includes a key text authored by Marie Canet.

Reference monograph (also available in English edition).

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

Faced with the ecological peril, what can design and archarchitecture itecture do but encourage and accompany modes and ways of living that maintain a renewed relationship with nature? Based on realizations and projects, Matali Crasset and David Bihanic share the writing of this book, seeking together, between testimony and analysis, to characterize a design of matrices.

Raphaël Minnesota retraces the career and explores the whole oeuvre of Patrice Kirchhofer (1953-2019), one of the most mysterious and mythical filmmakers of French experimental cinema.

A reevaluationof Surrealism since 1940: a large-scale, groundbreaking work covering seven decades, questioning the discourses, narratives, and debates on the poetic, political, and artistic commitments of the movement, in the context of the deep social and cultural mutations of the world of the second half of the 20th century.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

An intimate portrait of Joan Mitchell, one of the greatest American painters of the 20th century, through a collection of previously unpublished conversations with the artists, art historians and personalities closest to her, from Paul Auster to Zuka.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

The aesthetics of Gilles Deleuze.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

A transversal vision of the affirmation of a global Afro-Asian South through the anti-colonial resistance and war diplomacy of Algerians in Asia and Japan, bringing together history, politics, political philosophy, and poetics.

In 132 fragments, Malo suivie publishes the desire of a man, the viewer-perceiver, for a woman known as Malo, formulating the lack and the attraction by means of the sketch.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.