A visceral questioning of what a book can or cannot be, and of the positions of author and reader.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

A collection of texts (visual or conceptual poems, ideas to be realized or mostly not, inventories, compilations, interludes, etc., constituting sorts of scores) composed between 2017 and 2021.

An essay on the political dimension of Rimbaldian poetry.

The second volume of François Huglo's literary portraits: du Bellay and Borer, Zénon and Valéry, Borges and Beckett, Leibniz, Proust and Redon, Kafka, Barthes and Derrida, Baudelaire and the oenologist Émile Peynaud, Bory and Novalis...

Jean-François Bory's travel diary to Japan.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A selection of poems by Jean-François Bory covering more than fifty years of creation (1965-2019), from the most emblematic to the most recent, rare or previously unpublished.

135 poems, calligrams and other visual experiments, spread over 54 years of poetic activity, by one of the major actors of the poetic avant-garde in France.

Fourteen comical, absurd, ironic, moving short novels, by Jean-François Bory, unfaithful successor to Dada and active author of the avant-garde movements of the 1960s/1970s.

A selection of essays that Jean-François Bory devoted to his favorite and somewhat marginal authors, ranging from Nadar to Raoul Hausmann via d'Annunzio.

A biography of the founder of Pataphysics, by Alastair Brotchie.

Special issue dedicated to Brazilian poet Augusto de Campos.

This volume brings together essays on the German writer W. G. Sebald (1944-2001), iconographic documents and manuscripts of the author, and a script written by Sebald for a film ever made about the life of the philosopher Ludwig Wittgenstein.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

Bernard Heidsieck's typescripts.

A biographical rereading of the English playwright's work.

An illustrated essay devoted to Norwegian author Jon Fosse, a cross-reading of the major themes of his theater.

An essay / a collection of memories, facts, stories and ideas on Vietnam by Niele Toroni's wife.

An essay on Gary Hill's video work, taking Maurice Blanchot's writing as a starting point, between literature, philosophy, aesthics and psychoanalysis.

A narrative.

Special issue of the poetry journal directed by Jean-François Bory, dedicated to performance in the broad sense, from the page to the stage.

The figure(s) of Cindy Sherman as the plot of a personal narrative by Jean-François Bory.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.