Liliana Gómez is SNSF-professor (Swiss National Science Foundation) at the Institute of Art History at the University of Zurich, where she directs the research project
Contested Amnesia and Dissonant Narratives in the Global South. Post-Conflict in Literature, Art, and Emergent Archives. She edited
Performing Human Rights. Contested Amnesia and Aesthetic Practices in the Global South (Diaphanes, 2021) and co-edited with Lisa Blackmore
Liquid Ecologies in Latin American and Caribbean Art (Routledge, 2020). She is the author of
Lo urbano. Teorías culturales y políticas de la ciudad en América Latina (Pittsburgh, 2014).
