An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.
The life and times of jazz multi-instrumentalist Eric Dolphy, free-jazz precursor and collaborator of Charles Mingus, John Coltrane, and Ornette Coleman.
The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...
For Bunita Marcus is a piano piece recorded in 1986 by contemporary composer Morton Feldman. Guillaume Belhomme revisits the singular relationship he shares with this track and gives a sharp analysis of it. This reeissue is completed with a fictitious letter from Feldman to American painter Philip Guston entitled Une minute, une seule.
A literary text by Guillaume Belhomme combining metafiction and cut-up, with a CD on which Daunik Lazro performs Vieux Carré, a composition by Joe McPhee evoking the old French Quarter of New Orleans.
