Conceptual art in the CGAC collection

The artist's most comprehensive exhibition in the US in more than fifteen years.

The first major solo show in a UK public gallery of the work of the 2006 Turner Prize-nominated British artist.

Spring exhibitions, looking at how four artists (Cosima von Bonin, Tom Burr, Catherine Sullivan, and Artur ?mijewski) adopt and often invert elements of theater and dramaturgy in their work / exploring the social and political consequences of language in contemporary society (with Sharon Hayes, Jenny Holzer, Glenn Ligon, Adam Pendleton, Lawrence Weiner, and Carey Young).

A monumental installation.

A sequence of unpredictable movements that unfold in a continuous motion, deliberately opposing familiar dance patterns of development and climax.

An exhibition which brings together works and documents from the 1920s to the present day which focus on experiences of the road.

Works in the French public collections.

Retrospective exhibition.

The five-part cinematic masterpiece shown in its entirety for the first time in a U.S. museum.

A specially commissioned installation inspired by the 17th century Dutch still-life painter Melchior d'Hondecoeter.

An exhibition dedicated to the spectrum of diverse artistic processes existing between the conception and the work: sign systems for literature, music, painting, choreography, architecture, photography, film and media art.

Twenty works extending the lines of enquiry of Guy Debord's film In Girum Imus Nocte et Consumimur Igni, a web of connections loosely spun, both an introduction and a conclusion.

A group of contemporary, international graphic designers who base their work in critical investigation.

A retrospective of empty exhibitions.

Six solo exhibitions: Daan Van Golden, Alan Humerose, Deimantas Narkevicius, Présence Panchounette, Alain Séchas, Marion Tampon-Lajarriette, Pierre Vadi, Ian Wilson, and a Swiss private collection.

A series of new works investigating the complex interaction between the auto and oil industries and the war in Iraq.

Group exhibition.

A two-day event taking the alternately spoken and movement-based form of the choreographic 'lecture-demonstration' as its' starting point, and presenting contemporary dance in dialogue with visual art and discussion.

A late-medieval painting, a video by Mark Wallinger and a sculpture by Bogomir Ecker.

A group show curated by Pascal Pinaud.

Un regard ironique et presque surréaliste sur l'institution muséale.

From a lecture given by Jacques Rancière based on Marcel Broodthaers' appropriation of the Mallarmé book Un Coup de dés, an exhibition around the notions of reading, interpretation, and appropriation.

The first gallery exhibition curated by Turner Prize winner.

The artwork and the exchange of gifts (curated by John Miller).

Elements from Jerzy Grotowski's work shown through the prism of the visual arts.

A series of sixteen large-scale canvases.

A lecture by Liam Gillick organised within the framework of his upcoming exhibition at the German Pavilion of the Venice Biennial 2009.

Sophie Ristehueber signs the monograph Operations (Les presses du réel) at the Jeu de Paume bookstore.

Drawings, writings, and a multimedia performance by Lee Ranaldo (Sonic Youth).

An ontological thought about the relationship between the human body and its socialized environment.

Over 20 international young art positions devoting themselves to the climate theme using a whole variety of media.

An audiovisual work by the poet and musician Lee Ranaldo (Sonic Youth) and the artist Leah Singer, also featuring three historic experimental films by Gordon Matta-Clark, Terry Fox, and Nancy Holt & Robert Smithson.

A focus on the installation Magic Lantern (1987) and Triplet (1991-2009).

The fourth Tate Triennial, conceived by Nicolas Bourriaud, proposes a definition for a new form of art that celebrates a fresh energy and spirit in contemporary culture.

3 films by Lawrence Weiner (including Liberté et contraintes, DVD published by Les presses du réel & MFC-Michèle Didier), presented by the artist.

3 decades of artistic collaboration.

The lure and danger of extremes.