les presses du réel

Artforum n° 56-7 – Mars 2018

sommaire
COLUMNS

PASSAGES
Julie Ault on Tim Rollins

BOOKS
J. Hoberman on Tuli Kupferberg's Yeah
Rachel Churner on Hans Richter's Dada: Art and Anti-Art
Saul Anton on Hito Steyerl's Duty Free Art

FILM
Amy Taubin on Rainer Fassbinder's Eight Hours Don't Make a Day
Melissa Anderson on Ken Russell's Women in Love

MUSIC
Cristoph Cox on Milford Graves

PERFORMANCE
Catherine Damman on Richard Maxwell's Paradiso

TOP TEN
Yaeji

FEATURES

ART IS MEDICINE: THE WORK OF SIMONE LEIGH
Helen Molesworth

PROJECT: JESSE DARLING
Martin Herbert

1000 WORDS: YINKA SHONIBARE MBE
Jeffrey Kastner

DISTANT SHORES: THE ART OF AHMED MORSI
Kaelen Wilson-Goldie

SIGNIFICANT DIFFERENCE
An interview with Jacques Herzog

ALL THE TIME IN THE WORLD: ART AND PREHISTORY
Maria Stavrinaki

CLOSE UP: HATCHET JOB
Sam McKinniss on Grant Wood's Parson Weems' Fable, 1939

REVIEWS

Mira Dayal on “Fictions”
Laura McLean-Ferris on Jason Rhoades
Claire Bishop on Ilya and Emilia Kabakov
From New York, Miami, Chicago, Santa Fe, Los Angeles, London, Dublin, Paris, Berlin, Milan, Florence, Prato, Rome, St. Moritz, Trondheim, Bergen, Barcelona, Dubai, São Paulo, Mumbai, Beijing, Seoul, Brisbane, and Cape Town
thèmeen lien avec


















 haut de page