Matthieu Saladin, John Cage tested by a few “field situations”
[FLUX]
In search of John Cage
Philip Gentry, The Cultural Politics of 4'33' : Identity and Sexuality
Sarah Troche, Cage as Frankenstein: Monstrosity and Indeterminacy
of Performance Jean-Yves Bosseur, The Question of Cage's Legacy
Thinking the silence
Xabier Erkizia, Listening To Our Own Deafness
Seth Kim-Cohen, I Have Something To Say, But I'm Not Saying It
Michael Pisaro, Nicht alles, nicht nichts : etwas. The opposing tensions
of John Cage's 0'00'' and Roaratorio
Conceptual Music: Cage, below & beyond
Sophie Stévance, John Cage Tunes Into the Redefinition of the Musical Field by Marcel Duchamp and the Emergence of a Conceptual Music Mattin, Cage as a Cage: Towards Conceptual Improvisation
Documents
John Cage, A Composer's Confessions John Cage's Library Reconstructed Through His Sayings and Writings
[INFLUX]
Matthieu Saladin, The Fetish Character in Experimental Music
Radu Malfatti, The Difference Between a Sea and a River is:
Two Consistencies of Different Kinds
Toshiya Tsunoda, Field Recording and Experimental Music Scene Jérôme Noetinger, Aus den sieben Tagen by Karlheinz Stockhausen
[REFLUX]
Kenneth Silverman, Begin Again: A Biography of John Cage, by Philip Thomas
Julia Robinson (ed.), The Anarchy of Silence : John Cage and Experimental Art, by Rob Haskins
Stephen Chase & Philip Thomas (ed.), Changing the System : The Music of Christian Wolff, by Ivana Miladinović Prica Olivier Lussac, Fluxus et la musique, by Cyrille Bret
