The Moses Complex – Freud, Schoenberg, Straub/Huillet
sommaire
Contents
1. INTRODUCTION
1.1. Before the law
1.2. Medium, migration
1.3. The people
1.4. Numbers
1.5. Exile
2. SOUND, SPACE, POLITICS
2.1. Formed spaces: opera house, movie theater
2.2. Vowels and scars: grecophilia, orientalism
2.3. Tone colors: mood, notation
2.4. Optics: light paths, fantasy
3. FIELD AND DISTRIBUTION
3.1. Murmurings in the desert
3.2. Architecture: archaeology and memory
3.3. Electro-acoustics: conserved vibrations
3.4. Noises: god and environs
3.5. Tableaus: exchange value, ecstasy value
3.6. Television and telephony
4. CAESURAS: CINEMATIC PROCEDURES
4.1. Off and hors-champ
4.2. Panorama politics: about the pan
4.3. Forbidden images, images laid waste
4.4. Tearing away, reversal, breathing
5. CLOUDS, DESERTS
5.1. Exile
5.2. Numbers
5.3. The people
5.4. Medium, camp
5.5. Lawless: clouds reprise
5.6. In retrospect, too late
