A richly documented publication (written contributions by artists and a thousand illustrations) celebrating a decade of art performance at French independent art-space Le Generateur.

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

The Open Hide offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The volume comprises over 75 images of Jorn's work, each with complete provenance, exhibition and literature history. A comprehensive biography of the artist is also included, along with photographs and other archival material.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

A case study about concept cars and former modernist memories (artist's book).

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre.

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

The first monograph to offer an overview of Cointet's enigmatic and influential oeuvre (available in English edition).

Artist's book (photographs and texts).

Reprint of the multiple produced by Philippe Cazal in 1972.

Celebrating the first-ever united Baltic Pavillion at the Venice Architecture Biennale, The Baltic Atlas intends to explore the built environment of the Baltic States as a shared space of ideas.

Initiated by filmmaker Raya Martin and critic Antoine Thirion, UNdocumenta is the catalogue of the eponymous film festival revolving around the lost accounts of cinema (through material destruction, acts of censorship, political, economic or human contingencies) and condemned histories of nations (by social displacement, cultural annihilation or deliberate disappearance).

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

The artist's own archive of phantasmagoria: a unique collection of objects and ephemera relating to magic, the paranormal, occultism, pseudoscience, technology as well as their cultural and media portrayals (new edition).

Retrospective monograph on all Beckman's video works since the 1970s.

The group exhibition “Fugitive Volumes” at Mohammed VI museum of Modern and Contemporary Art in Rabat presents three generations of artists trained at the Tetouan Institut National des Beaux-Arts, and in particular those who have flourished since the 1980s in the orbit of the artist-teacher Faouzi Laatiris, creator of the Volume and Installation workshop at the INBA in 1993. Beyond the documentation on the exhibition, this publication offers a critical and comprehensive archive on the “Ecole de Tetouan” and the history of a contemporary art in Morocco.

A series of interviews with contemporary poets to understand a practice which seems today more incongruous than ever.

Crisis Fashion by Daniel Horn / Mikael Brkic in conversation with DIS / Vêtements Fall-Winter 2016: Panel Discussion / The Modern Naked King by Taque Hirakawa / Women's History Museum / Stefan Kalmár / Bless in conversation with Anja Aronowsky Cronberg and Heinz Peter Knes / The Street by Tobias Kaspar & Tobi Maier / Interview with Kaspar Müller by Peter Fischli / On the Wardrobe of the Countess Greffulhe / Post-Hummannerism / Eric Sidner and Ryan Siegan Smith by Eric Bell / Mathieu Malouf by George Egerton-Waburton / Julia Moritz on Crystal Moselle's film The Wolfpack / Limited Editions: Julien Ceccaldi, Antek Walczak and Danny McDonald.

Alexandre St-Onge pragmatically captures the ungraspable and hermetic sounds that emerge through the creative process.

Documenting Ian Cheng's latest “live simulations”—virtual living ecosystems in autonomous evolution—this monograph engages in a dialogue between art, new technologies and neurosciences.

One of Matt Mullican's central and most consequential inventions, the so-called “Rubbings,” are a kind of “frottages,” a technique the artist uses to produce specific pictures. The book presents a catalogue of the Rubbings on canvas from 1984 to 2015. It comprises around 500 works, documented by images and catalogue entries (the book also contains an essay by Dieter Schwarz).

A manual for public art projects in Zurich.

This catalogue / artist's book interconnects disciplines to reflect upon the complex role of scent as a fluid vector of identity, myth and memory, post-evolutionary science, body-synthesis, capitalism, power and branding.

An impressive collection of essays offering a critical examination of representations of vision in motion—from early illustrations of plants to the avant-gardes, from gesture to cinema, from decapitation to dance, from David Hume to Bergson and Deleuze.

The enticing story of fashion label Thema Selection and its founders, contemporaries and companions.

This applied research project and publication deals with archival practice and its spatial repercussions. Inquiring whether any accumulation and organization of knowledge is productive—to the effect that it generates a narrative and / or history—the project focuses specifically on archives becoming productive due to their spatial framework.

Martial Raysse's reference monograph, with an original lithograph, numbered and signed.

Artist's book by French filmmaker Virgil Vernier, Arcana I is the first of a series of books designed to build up an archive of the present time through a collection of emblematic documents from the 21st century produced by media, advertising and Internet. Arcana I gathers images of luxury watches cut out from magazines, with no typographical mention so to reveal the peculiar aura of these objects.

Liaisons urbaines [Urban Connections] chronicles the development and implementation of an eponymous programme for enhancing public spaces in African cities by operations that combine urban planning and development, design, art and heritage.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

Martial Raysse's reference monograph: a comprehensive, luxurious and lavishly illustrated publication recounting Raysse's multiple pictorial metamorphosis since 1957.

Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. This first monograph offers an overview of Hominal's practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history.

Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. This first monograph offers an overview of Hominal's practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

New monograph.

For Bunita Marcus is a piano piece recorded in 1986 by contemporary composer Morton Feldman. Guillaume Belhomme revisits the singular relationship he shares with this track and gives a sharp analysis of it. This reeissue is completed with a fictitious letter from Feldman to American painter Philip Guston entitled Une minute, une seule.

Side Effects follows an international artistic exchange born from questioning the “sides effects” of artistic activity—sideline jobs, multiple works, choice, accident. This hybrid publication contains archives, photographs, notes and drawings as well as texts, interviews and images from art historians, sociologists, critics and artists.

The first album in eight years for the Angelenos duo starring former Axolotl drummer William Sabiston and guitarist Jon Almaraz.

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

This lavish publication presents Nestlé's corporate art collection, located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s.

Art Basel's 2015 official annual publication.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.

The first monogaphic study dedicated to French-Lebanese filmmaker and photograph Jocelyne Saab and her works from 1970 to 2015.

ECAL – University of Art and Design Lausanne is recognized as a world reference in terms of graphic design. This success is largely based on a strategy of workshops that allow students to learn from the best Swiss and international designers on the school premises. This book retraces projects conducted in the Bachelor's Graphic Design and Master's programs between 2010 to 2015.

French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. Entrée en matière gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence.

The role of infrastructure and logistics in today's art scene

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.