Co-editor: Matteo Marangoni; interviews with Budhaditya Chattopadhyay, Kexin Hao, Pei-Ying Lin, Vivian Caccuri; articles: Accessing the Fiduciary Transactions of the Intellect and Imagination, Folding the Past into the Present; reports: Transmediale 2023, KIKK Festival...

Musta Fior; Carla Bley; Amanda Guttiérez by Carole Rieussec & Elena Biserna; interviews with Nadia Lëna, Aude Romary and Audrey Lauro; Bruitisme festival; a survey by Michel Henritzi of three musicians and activists of DIY version 2.0 (Jo Fusiller and his Tanzprocesz label, Claire Gapenne for Accueil Froid in Amiens, and Jędrekp for the Parisian concerts Le Non_Jazz)...

Five pieces of musique concrète recorded in the GRM studios between 1971 and 1974 by the composer and pioneering video artist.

Four purely electroacoustic pieces recorded between 1994 and 2002 by the Argentine composer and theorist.

This first issue of e-flux 's bimonthly publishing project presents the pieces published by e-flux in December 2023 and January 2024. The metadata gives some indication of its breadth, spanning 48 pieces, 52 authors, and over 150,000 words. Following its wider editorial ambitions to co-articulate multiple discourses, the Index removes the identity cards anchoring these pieces to their original provenance, and instead "meta-edits" them into nine emergent thematic strands.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

Reference monograph (also available in English edition).

Reference monograph.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

Reference monograph.

Reference monograph (also available in English edition).

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

Double Pendulum is a selection of new material from NY-based artist/composer Nickolas Mohanna. Using a varied palette of percussive devices alongside the electric guitar and computer, hammered notes flutter into brushed cymbals to create pulsing and immersive shapes.

The culmination of the American artist's assemblage project.

An artist's book by Berlin-based sound artist Stefan Roigk, documenting acousmatic compositions, sound installations, musical graphics and text-sound compositions of the years 2005 to 2023 on 144 pages and 2 audio CDs.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

Carroll Dunham's "Green Period."

Poems presents four unpublished poems by American writer and actress Zoë Lund (1962–1999), written in the 1980s. An incandescent voice emerges, revealing the might, sincerity, and precision of her expression, as well as her vulnerability and defiance in the face of death. This is the first publication dedicated to her work.

The first monograph dedicated to the pioneering interior design duo Philippon Lecoq.

Comprehensive monograph.

A reflection on the notions of catch and data.

Four works based on four performances.

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

An object book (with CD) featuring 29 concert reviews from the Parisian noise and experimental music scene in 2011 and 2012. It provides insights into a dynamic, radical, and deeply communal music scene (with a selection of photographs by Steeve Bauras, an experimental sound piece by DJ Fusiller created from concert recordings compiled by the author, and period flyers).

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

A reference book on Cristóbal Balenciaga's designs.

In this monograph—the only one devoted to Anselm Kiefer to date—Daniel Arasse sets out to demonstrate the process of sedimentation and reworking of themes that circulate, intertwine, and overlap to form a veritable "Kieferian labyrinth"

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

The transposition of an exhibition into a book format, spatialising concrete poetry on the page (artist's book).

For countertenor, parrots, different voices & dead electronics.

A collection of poems by French writer, painter and illustrator Jean-philippe Delhomme, accompanied by previously unpublished ink drawings.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The very first completely handmade and almost unreleased recordings of Graham Lambkin and Darren Harris under the name of Cat & Bells Club, prefiguring The Shadow Ring.

An audio time-travelogue, based on found reel-to-reel tapes of pre-recorded slideshow commentaries from the 60s and 70s, collected by Mark Vernon over the past twenty years.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

The 56th issue of the design research journal, devoted to the question of writing in design practices.

Josh Mason's first vinyl outing since 2019, a pivotal release thoroughly shot through with the humidity, warmth, and "end of the line"-ness of the state of Florida.

More than a decade after the release of "Land Lines", the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with "Atheistsaregods".

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

The first vinyl edition of Let the Darkness Fall, a forgotten corner from the vast discography of Suzanne Langille & Loren Connors, joined here by David Daniell and Andrew Burnes (of the Atlanta-based group San Agustin).

An electroacoustic piece composed between 1984 and 1989, inspired by the ancient theory of the four elements and exploring the notions of matter and its transformation.

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.