First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

Extensive monograph with serigraphs.

Mapping collaboration in Swiss art.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

The book concentrates on spatial concepts in contemporary painting.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Mike Kelley's major interviews and critical essays.

Three interviews with the President for life of the Ouest-Lumière Company.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

A selection of photos of the town where lives the artist Francis Alÿs.

A re-edition of the original cult book of well known Swiss photographer.

Conceived by the artist, this book gathers unpublished manuscripts, well-known as well as unshown works from his personal collection, erotic cartoons, fan's photographs, photographs of “white trash” suburbs and studio shots.

A monograph that imitates a jewelry catalogue, dedicated to Kelley's most recent body of works.

John Armleder's 404 Team yellow pages.

An exploration of the body in contemporary culture (artist's book / collection of texts).

A complete documentation on the artist's project at the Whitechapel Art Gallery, London.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

Art and glamour as spaces for transformation of the self.

An anthology of the artist's important essays, published between 1978 and today in the pages of Artforum, Flash Art and Lawson's own magazine Real Life.

The 1990s in eleven "Date Paintings" As one of the most important Conceptual artists, On Kawara features in most of the surveys on post-war art. This book, conceived in close collaboration with On Kawara himself, takes a very intimate form in comparison to many monographs published recently. This seems an appropriate manner in which to discover eleven paintings created over a decade, letting the viewer complete their reading with personal associations, historical events, or academic interpretations. “Perhaps,” writes Thierry Davila in his text, “art is simply a particular way of taking time … So the work, the on-going creation is essentially a question of using time … ” Seen from this perspective On Kawara has invented a simple and striking way to make art, by taking time, taking his time. He found a way to use the calendar to make a kind of “non-individual” art work. In his Date Paintings, time itself has become a piece of art. The work is pure realism, the existence of time put in painting, thus rendering it—up to a certain point—viewable and readable.

First monograph.

First monograph on Irish artist.

Original invitation cards of the independent contemporary art space based in the cultural alternative center Usine in Geneva.

Fully illustrated monograph, with three essays and a chronology.

Documentation of the O-ist religion created by Shaw.

The most comprehensive monograph on Oehlen's paintings.

Inside the artist's apartment and studio.

A source book of graphic design by one of the leading European art schools.

Reference monograph.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

An album of the “best images” gathered from the Visual Communication Department of ECAL, the dynamic art institute of Lausanne.

A surprising book-object created by the artist.

This book is the first to be dedicated to the British artist's work.

The art scene for collectors, and art and economics.

An investigation into the relationship between art and entertainment.

The contemporary urban city and the links to the utopian city.

Artist's book / DVD.

Catalogue (with Giovanni Anselmo, Virginie Barré, Céleste Boursier-Mougenot, Serge Comte, Pascal Convert, Christoph Draeger, Jan Fabre, Roni Horn, Martin Kippenberger, Christian Marclay, Stéphane Sautour, Franck Scurti, Uri Tzaig, Didier Vermeiren, Clotilde Viannay, Rémy Zaugg, Michel Zumpf...).

A project by the Swiss artist for his exhibition at Pasqu'Art in Bienne.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.

Over more than a decade Ivana Keser has questioned the world of communication, and in particular the press. This book is the first monograph, documenting all the newspapers she published between 1993 and 2003 for each of her exhibitions, and which were distributed to the public free of charge.

A magazine printed with white ink on white paper (with Gilbert & George, Yoko Ono, Lawrence Weiner, Liam Gillick, Martin Creed, Christian Boltanski, Hans Ulrich Obrist, Niele Toroni, Art & Language, Steven Parrino, Maurizio Cattelan, Tom Morton, Swetlana Heger, Didier Marcel, Angela Bulloch, Daniel Buren...).

Monograph / interview.

A transcript of lectures on culture and globalization by artists and cultural analysts.