An impersonal autobiography (artist's book).

A collection of new work made using paper.

Numbered edition of a photography and a poster (Jean-Marc Bustamante fecit), which are added to the special box set by M/M (Paris) containing the last three catalogues of the Printemps de septembre festival.

Including conversations with David Toop, Scanner, Brandon LaBelle, Ken Vandermark, Kaffe Matthews, Steven Connor, John Parish, Ben Watson, Simon Critchley, Andrew Morgan, Esther Leslie, Eric Roth, Andrew McGettigan, and Seth Kim-Cohen.

Lavishly illustrated, this monograph contains a collection of texts and interviews with the artist, many of which are unpublished.

Artist's book.

A retrospective of Armleder's work in 600 drawings.

Artists' book, covered in the fabric used on London Underground seats, with an electronic chip ringing like a mobile phone when it is opened.

An anthology exploring the notion of reality.

First monograph.

First monograph devoted to the US-based British artist, known for his sculptures made from everyday objects and urban furniture.

A quartet of string and woodwind instruments brings together masters of free improvisation.

First monograph on the Swiss artist, winner of the Prix Manor 2005.

Publication on the Walter A. Bechtler Stiftung foundation, which has the particularity of being shown in a public space.

First publication of Le Va's scrapbooks.

Baudevin's interviews about contemporary music (also in English edition).

Monograph featuring works from 2001 to 2004.

Positions in contemporary African art.

An overview of the Californian art scene from 1990 to the present.

Various documentary approaches of Tadashi Kawamata's work, unpublished films of the artist and archives.

Numbered box set (1-100), with two silkscreens of original drawings by Japanese artist.

First retrospective monograph devoted to the Swiss artist, famous for her soft sculptures and latex molds of architectural fragments or whole spaces.

Exhibition catalogue (Louise Bourgeois, Marlene Dumas, Jim Shaw, Marcel Dzama, Bjarne Melgaard).

Catalog of one of the most important private collections of contemporary art.

This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

The first monograph devoted to these two young American artists.

Humour as a strategy in art, from Dada to Fluxus and contemporary conceptual art.

The first opus in the story of the "paintless painter"'s clandestine pictorial actions.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Projects, texts, drawings, photos and interviews.

A dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann, in a record-size album, featuring the electronic music commissioned for the piece.

Contemporary art French festival catalogue (with Franz Ackermann, Fred Tomaselli, Chloe Piene, David Reed, Siobhan Hapaska, James Rosenquist, Franz West, Jennifer Steinkamp, Jean-Pierre Bertrand, Gerhard Merz, Cindy Sherman, Stephane Calais, Jake & Dinos Chapman, Sigmar Polke, Daniel Schlier, Ger Van Elk, Alice Anderson...).

An inventory of the best products developed within one of the leading European art schools, the Ecole cantonale d'art de Lausanne.

A collection of over 120 propaganda leaflets that have been dropped by the US Army on Afghanistan and Iraq.

When the personal becomes political.

The Swiss Pavilion at World Expo 2005 in Aichi (Japan) in words and images.

First monograph of the futuristic artist / film-maker / documentarist.

First monograph of the artist, presenting her figures of unfired clay, which grotesquely exaggerate the characteristic traits and trademarks of female sexuality.

Extensive monograph with serigraphs.

Mapping collaboration in Swiss art.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

With Shahrzads newest publication, the focus is on the mise-en-scene of contemporary historiography in today's Euroamerica.

The book concentrates on spatial concepts in contemporary painting.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Turkish: A Dictionary of Delights is a sui generis work and lexical tour de force which uses the dictionary genre to inject polemic into certain forbidden discourses that are currently suppressed both within and around the subjects of Turkish language, politics, sexuality and history, making the book extremely timely in light of contemporary debates around the question of Turkey's entry into the EU. It also introduces the Turkish universe in all its intimacy from the perspective of a personal "Wirkungsgeschichte". The “definitions” are presented with a sense of wit and political incorrectness that one doesn't usually associate with sacred Ottoman subjects such as the hamman and revered political icons such as Ataturk. This explains why initial shipments of the book sent to Istanbul were refused by postal authorities, ironically contributing to the cult status the book quickly acquired in artistic circles of Istanbul, where the book can only be purchased “under the counter” at certain galleries. The authorship and origin of "Turkish: A Dictionary of Delights" are a subject of considerable speculation. There is some question as to whether the dictionary's putative author, Adnan Onart, even exists. The editor is Roger Conover, the well-known art publisher and secret author of a number of books which have been appearing over the years in such hidden contexts and limited print runs that they exist almost more as rumours than publications.

First monograph of the activist-artist.

First monograph of the artist "hacking" the video game imagery..

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Mike Kelley's major interviews and critical essays.