In 2018, Italian photographer Giovanna Silva photographed the streets of Tehran and collected archival documents from the infamous American embassy in the capital of the Islamic Republic. The image-based work is part of a multilayered narrative that encounters the words of architect, researcher and educator Hamed Khosravi. His contribution to the book is part of an ongoing research on social movements and their relationship with architecture. He traces the historical relevance of writer Maryam Firouz, architect Noureddin Kianouri, and their involvement in the progressive journal Bidari-e Ma (Our Awakening).
Giovanna Silva (born 1980 in Milan) is an Italian photographer, writer and publisher. Her photographic books have been published by Mousse, Hatje Cantz, and Nero among others. Her work has been shown at the 10th and 14th Venice architectural biennales, MACRO in Rome, Fondazione Bevilacqua La Masa in Venice, the Triennale in Milan, the American Academy in Rome, FRAC Orléans, c/o Berlin, the Biennale de Rabat 2019, and the Italian Cultural Institute in New York. She is the founder and Editor-in-Chief of Humboldt Books and the co-founder of San Rocco magazine. She teaches Photography at NABA Milan, IUAV Venice's master in photography program, and ISIA Urbino.
Hamed Khosravi is an iranianarchitect, researcher, and educator, currently teaching at the Architectural Association. His research and projects focus on the history and theory of architecture and urban form in relation to territorial organizations and political decisions. As a writer, Hamed regularly publishes articles, essays, and books. He co-edited Aesthetics and Politics of Logistics (2019).
