Sixteen visual artists give their vision of Clair Obscur's album We Gave A Party For The Gods And The Gods All Came.
“The idea was—rather than to propose friend musicians to do the standard exercise of the cover or the remix—to propose this exercise to artists who are not classified as musicians or who develop their practice at crossroads. Why? Because Clair Obscur have always developed their own music with a real curiosity for other arts. And because the friend musicians who make us the honour to take part in this project—apart from having the good taste to appreciate Clair Obscur ;-)—all have strong interests for the sonic and musical phenomenon. In brief, by inviting artists who are not labelised as musicians to give their visions of our latest album, We Gave A Party For The Gods And The Gods All Came, we are just placing things in the inverse direction.”
With: L'Orchestre Improbable, Pauline Franceschi & Thierry Weyd, Sandy Amerio & Maria Baptist, Xavier Bussy, Superamas & Walking Dead Cats,
Pierre Beloüin, Art Konik, Christian Vialard,
Mirka Lugosi, Mathieu Farnarier,
Gilles Berquet, Will Ges, Thierry De Lavau,
P. Nicolas Ledoux, Alice Karloff, Winston Tong,
Jérôme Poret.
Limited edition of 300.
Among all groups which animated the French Cold Wave and Industrial scene of the 80s, Clair Obscur is certainly one of those which radiated furthest outside the boundaries of France. Several of their records have been published by British labels like All the Madmen (the live The Pilgrim's Progress, 1986) or Cathexis Recordings (the 12" single Smurf in the Gulag, the same year), and one of their act of glory is to be part of the compilation From Torture To Conscience of the mythical label N.E.R. alongside with Current 93, In The Nursery or Death In June (1984). From Killing Joke to The Nits, from Le Cirque d'Hiver de Paris (1982) to the Wiener Festwochen (1991), the bands with which they played, and the venues and places that they performed are a fantastic testimony to the richness of this group which is so difficult to classify. Founded in Creil in 1981 by Thierry Damerval (bass guitar), Christophe (vocals) et Nicolas Demarthe (guitar), Clair Obscur drew immediately attention with a home made audio tape (re-released on the album Play), a 7" single magnificently designed (Santa Maria) and several 12" singles. From the most tribal cold wave to chamber music, from industrial music to dance music (unless these two are synonymous), their musical approach is eminently atmospheric and embraces a surprising variety of styles, giving birth to iconoclastic scenic transcriptions. By recreating a domestic place on stage or by organizing a fake TV game, Clair Obscur explore universes close to theatre or performance, which can be found in In Out, published in 1988 on V.I.S.A. with the help of France Culture. After the releases of the albums Sans titre, 1992, Rock (1994) and Nulle Aide… (recorded under the name CO2, for "Clair Obscur 2nd Generation", in 1999), the end of the 90s saw the group hibernate. Christophe Demarthe mainly worked on his project
Cocoon, an ambitious multimedia work released on
Optical Sound. Since March 2004, Clair Obscur has been reactivated by Nicolas and Christophe Demarthe, and their albums Play and In Out (...) re-released by the label Infrastition.
David Sanson
See also
Cocoon.
