Music > rock / post-rock

A series of electric guitar duet meditations.

The debut studio album from the Montreal supergroup Pangea de Futura, an octet that has been exploring since 2019, the many ways of—slowly—constructing massive textural musical shapes and droning tribal post-rock ambiances.

Issue dedicated to the work of writer, poet, performer and musician Mathias Richard.

The heavyweight trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi return with their 12th and most epic release to date, a monumental triple LP.

Univers Zero's first new album since 10 years, a major new contribution to the discography of the band celebrating its fiftieth anniversary.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Post-rock by a chamber music ensemble from Belgium, mixed by Steve Albini.

Recorded at the height of the global pandemic, and at a time when remote communication was becoming increasingly prevalent, "Choreological Exchanges" is part of Hastings Of Malawi's continuing investigations into the medium of communication itself.

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

This artist's book by the American artist, musician (Destroy All Monsters), writer and bookseller intertwines Polaroids of 1970s Detroit with photographs of painterly collages made of TV stills and print ephemera combining Christian iconography, Classical Hollywood cinema, pop and b-movie culture.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

The analysis, history and reception of the Canterbury music scene between the late 1960s and early 1970s.

The third album of the band formed by four autistic singer-singers, an educator-guitarist more passionate about art brut than educational techniques, and three musicians from the band Moriarty.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

A punk philology (with Simon Critchley, Emanuele Coccia, Dennis Cooper, Cosey Fanni Tutti, Kim Gordon, Donatien Grau, Richard Hell, Paul McCarthy...).

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

Hastings of Malawi's third LP—the antithesis of Christmas albums.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

First encounter of two essential figures of the French underground and alternative music scene.

A tribute to William S. Burroughs.

The musical adaptation of Joseph Ponthus' eponymous book by Michel Cloup (Diabologum), Pascal Bouaziz (Mendelson, Bruit Noir) and Julien Rufié (Michel Cloup Duo), between rock, reading, chanson and electronics.

A vibrant stage adaptation of Louis Calaferte's book by Virginie Despentes accompanied by the rock band Zëro.

The encounter of the rock band Melmac with the poet Anne-Claire Hello.

The magical drawings and works of Samantha Davies and Matthew Bower of the noise-rock band Skullflower, which invoke and evoke the Egyptian god Set.

This issue proposes to examine some of the points of contact between music and hacking.

Three unreleased field recordings from August 1990, documenting a sound installation made from a damaged piece of the Berlin Wall.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro (limited marbled vinyl edition).

For its 50th release, Black Truffle presents the 9th album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi.

Special Metal issue.

A total alchemy between the texts declaimed by the New York poet Steve Dalachinsky and the loops subtly arranged by the experimental rock band The Snobs.

The richly illustrated memoirs of 1960-1970s jet-set call-girl/muse Susi Wyss: In 800 pages and 1.000 photographs, this publication tells the sulfurous story of Wyss' first forty years. A true tale of sex, drugs, and rock'n'roll, in which the reader will meet a gallery of colorful socialites and artists like Helmut Newton, Kenneth Anger, Iggy Pop, Dennis Hopper, Brion Gysin…

A panorama of the world of do-it-yourself fanzines.

Recordings made between 2005 and 2014 by the experimental German band.

The noise duo Peür meets Didier Bourgoin (text and voice).

A detailed investigation into the Japanese noise scene (Japanoizu), with a sharp critical eye and an in-depth knowledge of local sources, by a specialist of alternative cultures and experimental musics in Japan.

Tarab is the result of live recordings captured during the group's 2017 Al-'An! Tour, which led them to Europe and Canada, and finally Beirut.

New edition of the Belgian band's third album from 1981: inspired by H.P. Lovecraft's universe, Ceux du Dehors is a key release for the band. It sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

Univers Zéro's second album released in 1979. A classic of chamber rock music featuring heavy use of dissonance and dark, brooding and extremely complex melodies. 2010 remixed version.