Women (female artists)

Comprehensive monograph.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

First monograph.

A both poetic and political text which supports the French social movement that began on 31 March 2016.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

An iconographic artist's book—at the crossroads of sound studies, media archaeology and visual anthropology—resulting from Lauren Tortil's research into the impact of sound technologies for individual use on our perception of the environment, through previously unpublished archives on the Walkman, Sony and the 1980s.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

First monograph of the Brazilian feminist artist.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Monograph dedicated to Caroline Rennequin's flower paintings (gouaches on Indian paper), with texts by Yves Michaud and Émilie Ovaere-Corthay.

The first collection of texts published in French by the Argentinian artist and poet.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last 10 years.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Two sides off shimmering, tense compositions—culminating as one of Alessandra Novaga's most creatively ambitious and conceptually rich outings to date—freely inspired by the life and work of the Russian director Andrej Tarkovsky and the music of Johann Sebastian Bach.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

An exploration of Lynn Marie Kirby 's work through a collection of writing, essays and interviews (Etel Adnan, Lynne Sachs, Jalal Toufic, Alexandra Grant, Trinh T. Minh-ha...).

Interplay is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before.

A series of recordings that unveils the diverse creativity of young Turkish female artists.

This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

First monograph.

First monograph of German artist Esther Kläs, covering over 15 years of practice.

50 poems by Pauline Picot, autobiographical fragments that also reflect the daily lives of those around her.

First monograph on Gina Proenza's suggestive and sculptural work.

First monograph on Gina Proenza's suggestive and sculptural work.

A "score" of drawings that highlights both the continuity and the progressive changes in the Swiss artist's work.

This volume collects six fables Lin May Saeed (1973–2023) wrote in the early 2000s—the only ones the artist ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations.

The trip to Saudi Arabia by photographer Giovanna Silva and curator Emilia Giorgi.

London-based artist Faye Wei Wei’s debut monograph.

Itinéraires Fantômes is an oracle deck created by Alexandra Grant with Hélène Cixous in celebration of H. Cixous' work.

Three years of research into glass by the Mexico-based French artist.

A complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017.

An artist's book built around KOOL ("cabbage" in Dutch), a new font designed by Magali Reus, winner of the seventh edition of the Arnaldo Pomodoro Prize for Sculpture.

Midsummer, London by one of the world's leading voices in field recording explores the different accents, musics, and other sonic phenomenon of London at locations tracing the river Thames, moving from the outskirts in the west to the outskirts in the east.

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

Parker and Pollock's seminal volume of feminist art history.