Women (female artists)

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

Structured like a "choose-your-own-adventure" book, Demandez le réel invites readers to choose their own path through forty poems.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

Testing the Waters is a long-form electroacoustic composition unfolding through episodic movements that together trace a sonic dérive.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

Comprehensive monograph.

Reference monograph.

An in-depth record of Barrada's latest experiments in the fields of color, dyeing, language, mythmaking and material culture for the French Pavilion at the 61st Venice Biennale.

This first monograph, richly illustrated with images and texts, offers a broad overview of the diversity of Marie-Ange Guilleminot's work spanning four decades.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Reference monograph.

New monograph.

Silent speeches is a book on the non-compliant force of sound in contemporary art and a career-spanning catalog focusing on the employment of music, songs, and silence in the work of the artist duo Pauline Boudry & Renate Lorenz.

An investigation into the repertoire of performative gestures emerging from the work of German artist Ulla von Brandenburg and the practice of her troupe of performers.

First monograph.

La Gauchère is an illustrated book that chronicles several years of research on left-handedness. It calls for left-handedness to be viewed as a creative force, beyond the pejorative connotations commonly attributed to the term and to those who are mal à droite (uncomfortable with right-handedness and awkward).

A special edition bringing together three issues of the journal of architecture criticism under a single title: "Dixit: Switzerland!". Six prominent figures with links to Switzerland (Hélène Binet + Elli Mosayebi; Tiphaine Abenia + Alia Bengana; Carlotta Darò + Raphaël Kadid) are invited to discuss common and topical issues.

The second book in the "Brookinette" children's book series (published by Brook), We Look Alike is a book for little ones and older children alike that tells the story—through the drawings of Dutch artist Kinke Kooi—of encounters, friendship, and little mistakes, featuring a cast of snails, flowers, fruits, and ladybugs.

This book offers the first comprehensive overview of Anna Franceschini's practice. Organized around recurring themes, its associative structure reflects her interest in repetition, transformation, and unstable images.

New monograph.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.

Los Angeles-based photographer Danielle Neu's debut monograph.

Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.

This book showcases the research work of designer Mathilde Pellé, who explores design through subtraction in a sensitive yet radical way. It brings together a body of documentation and an inventory of prototypes and objects created over the course of a decade.

As part of the 7L's Correspondances program, Katrien de Blauwer explored the collection of books and magazines of Karl Lagerfeld's library at 7L, and reinterpreted it through a new series of photomontages in which the images serve as both a reference and a mirror.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

Artist's book.

This first monograph devoted to the Italian designer Valentina Cameranesi Sgroi, structured along the lines of an auction catalogue, the volume, edited by Felix Burrichter, explores the inexhaustible ambiguity that defines the artist's creative universe.

This posthumous work is the first monograph devoted to the Franco-Palestinian artist and activist Amal Abdenour (1931–2020).

Through a dated diary and film photographs, a young woman explores her Algerian and Kabyle roots: a sensitive account of a language that was never passed down, family memory, and personal decolonization.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

A.I.L.O (Atelier d'Immersion Lumineuse et Obscure), founded by Anna-Eva Berge with Fabrice Leroux, has created a work of light and sound for Pile Pont Expo, inviting visitors to move through and engage with the work, the architecture, and its soundscape. Optical effects offer a new experience of this space, reminiscent of a concrete cathedral.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.