Women (female artists)

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory presents over 140 photographs, many previously unpublished, in a single definitive volume.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Comprehensive monograph.

Comprehensive monograph.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

Published on the occasion of Nilbar Güreş's exhibition presented at the Türkiye Pavilion during the 61st International Art Exhibition of La Biennale di Venezia, this volume explores themes of the body, space, belonging, migration, and subtle transformation.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

First monograph on the Swedish artist.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

A new monograph on the Italian artist Chiara Camoni, published in conjunction with her exhibition at the Italian Pavilion of the 61st Venice Biennale.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

The second monograph on artist Sarah Tritz looks back on the last ten years of her work.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

Scholar and curator Christine Eyene serves as guest editor for this special issue, featuring a central section dedicated to the work and place of women—particularly Lubaina Himid—within the Black Arts Movement.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

A selection of texts by Valentine de Saint-Point, emblematic of both the Belle Époque and anticolonial militancy.

A monumental anthology of critical essays devoted to the figure of Umberto Riva, introduced and edited by Maria Bottero, accompanied by a collection of sketches and drawings from the architect’s personal archives (new revised edition).

Conceived as a hybrid between an exhibition catalogue and a fashion lookbook, as well as a document of their practice and a sculptural object in its own right, the Women's History Museums' first publication interweaves newly commissioned texts with illustrated image spreads that reference iconic precedents, from Matsuda's 1990s lookbooks to early Vivienne Westwood.

A dive into the world of designer Anaïs Borie, where design is fueled by storytelling, fiction, and the hybridization of expertise, at the crossroads of craftsmanship, digital technologies, and industrial processes.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Artists' book.

A pair of small-format artist's books, conceived as two visual sequences bound together by tension, attraction, and delay.

This artist's book for insiders brings together a selection of Polaroids, silver gelatin photographs, and collages that are part of a series of works on eroticism that Cécilia Jauniau has been working on since 2023.

This first monograph devoted to Claire Colin-Collin’s painting traces her artistic development since the late 1990s.

Artist's book.

This monograph traces the dazzling and prolific career of French designer Pauline Deltour (1983–2021) and showcases the richness of her work through images drawn from an extensive archive and contributions from curators, designers, and collaborators.

The choreographic in cinema.

The "suspensive" artist Chloé Mogli invites authors, illustrators and researchers to write with her what the gesture of standing above the void generates as perceptions and thoughts, and invites us to suspend our perceptions of reality.

A book presenting for the first time the reverse sides of artist Dominique De Beir's works, revealing the exploration that went into giving shape to the drawings.

A retrospective of a deeply prolific and fruitful period in Huguette Caland's career, spent in Paris between 1970 and 1987, during which the Lebanese artist, giving birth to her joyful eroticism and freeing herself from all conventions, reinvented herself and produced some of her greatest masterpieces.

Monograph dedicated to the practice of the South Korean-German artist, painted works that articulate her visions in ever more expansive formats since 2012.

New monograph.

Publishing a selection of her radiophonic essays here for the first time, I Speak Radio reflects Anne Bromley's collaborative radio practice.

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

The first extensive monograph on the Thai artist.

Artist's book.

Artist's book.

Portuguese artist Joana Vasconcelos engages in a dialogue with the city of Rome, the world of haute couture, and the work and legacy of Valentino (1932-2026).

First monograph.