Canada

Catalogue of the 14th RIAP in Quebec.

The complete and illustrated songbook (audio CD included).

This collaborative project by Mark Soo and Tim Lee formally pushes the boundaries of what a book is. The book is blank except for four printed pages containing words set in Univers.

A cutting edge artist book.

Art and context.

Biotech art and the posthuman.

The first comprehensive publication on Canadian artist Alex Morrison. Best known for his documentations on the skater culture, Morrison's videos, photographs and drawings reveal the growing aestheticisation of the political within the cultural spectrum.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

Mark Lewis' location photographs.

Catalogue of the 13th RIAP in Quebec.

Art as actions : a collection of Martel's essays and articles since the eighties.

Catalogue of the 2002 edition of the RIAP in Quebec.

16 Quebec artists and collectives selected by Bunker Sztuki, contemporary art center in Krakow.

An artistic and literary journey through the soul of a dead and disembodied student, lost in the memories and infrastructure of a Californian High school.

An artistic and literary journey through the soul of a dead and disembodied student, lost in the memories and infrastructure of a Californian High school.

New approaches to in situ, contextual and relational art.

A free-cultural exchange between Quebec and Mexico art centers.

Performances and actions by the twenty-four artists.

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

A retrospective of the activities of the alternative art center Le Lieu in Quebec.

Monograph.

A sociological analysis of the history of alternative art in Quebec.

27 artists from 14 countries around a performance and interactive TV program.

Art and nature / residual landscapes.

A whimsical artist's book by Pardo and White with word "Dodgers" running through book.

Performances and conversations with 30 artists from Quebec and overseas.

A study on Atom Egoyan's early works.

A study on Atom Egoyan's early works.

Catalogue of the 7th Festival d'in(ter)vention, focused on audio and radio art.

A report of the activities of the art center in 1990-1991.

A repertory of performance art practices in Canada over twenty years, with contributions by art critics, historians, and artists, a history of performance in Quebec and Canada, teh report of 35 major events, the description of 2000 performances, more than 600 photos, a bibliography...

The report of the first Biennale of contemporary art and performance in Quebec.

Catalogue of the 5th Festival d'In(ter)vention curated in Poland by Quebec art center.

Aurel Schmidt's drawings.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

The “chairs-poems” conceived by the Quebec sculptor Michel Goulet for the Palais-Royal garden in Paris, with contributions from nearly 70 authors, visual artists, poets, critics, theoreticians, philosophers and thinkers.

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.

More than an hour of ultra-rare documents, recorded in several places in Greenland and Canada from 1905 to 1987: the testimony of a century of Inuits recordings.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

An acoustic portrait of the Salton Sea in the Southern California desert developed as part of a joint project by Bonnetta and photographer Ron Jude.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

“Diorama” special feature (studies on Xu Zhen's Starving of Sudan and Kent Monkman's Bête Noire, essays on Dominique Gonzalez-Foerster and the Persistence of the Diorama, the Diorama as artistic process, Vicky Sabourin's stagings), interview with Nathalie Heinich— in addition to the usual contents.

First of two volumes of the “Movement Building” series, dedicated to Gabriel Saloman's music for contemporary dance.

A collection of essays in which Chantal Pontbriand examines themes of being-in-common in today's world and their relation to the development of art practices.

Espace begins a new cycle with André-Louis Paré as the new magazine editor. This issue introduces a revamped version of the magazine, including a special feature “Re-Thinking Sculpture,” Jeff Thomas, Pierre Huyghe and Philippe Parreno, exhibitions and books' reviews…

“Re-Thinking Sculpture: Part Two” with two essays by Maxime Coulombe and Marie-Hélène Leblanc, and two interviews with James Nizam and Guillaume La Brie. Also in this issue: “Soundscape as Material” by Josianne Poirier “Monoceros: of the Earth, for the Stars” by RM Vaughan, interview with Derya Akay…

A collaborative artwork made of images exchanged via email.

A text by Christof Migone on a history of sound art and its relation to performance.

Artist's book (monochrome prints of Terence Koh's haunting photography layered with drawings).