Translations

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

Twelve texts on as many architectural masterpieces: pursuing their project to disseminate the work and thought of Livio Vacchini, Caryatide publish a new edition in French of Capolavori, the small (and immense) milestone, full of meaning and poetry, that the architect from Ticino wrote in 2006 just before his death.

Igor Terentiev's biography of Ilya Zdanevich published in 1919 in Tbilisi.

"For those who, despite everything, have decided to live, there will always be a home." A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods.

New media theorist Wendy Hui Kyong Chun exposes her original conception of programming and code, alerts us to the racialization bias, homophily and eugenic tendencies that govern our interactions on platforms, and analyzes the need to call upon the humanities and social sciences in the development of algorithmic models for predicting the evolutions and impacts of climate change.

The story of a meeting between a woman and a man linked by music for one night, in a nuptial dance of bodies and words doomed to failure: an ode to desire by the Franco-Moroccan poetess.

First Arabic translation of Virginie Despentes' cult book King Kong Theory.

Claude Rutault's entire definitions/methods from 1973 to 2016, in English language.

An artist's guide to copyright, written for makers.

Undoubtedly one of the most important texts on the out of book poetry, both a documentary sum and a manifesto to underline the major role that the poetry and the poets have occupied and occupy in the whole of the transformations that have upset the the contemporary art field, considered by the amateurs and the researchers like a true bible.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

Rilke Shake—a humorous variation on the milkshake—summons part of the author's library (Mallarmé, Ezra Pond, Gertrude Stein, etc.) in poetic sketches that are in turn comical, burlesque, and absurd. At once trivial and erudite, this unbridled poetry explodes with images of parties—and the mornings after—, flashes of the street, and reminders of Brazil.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

Tocqueville's travel notes, enriched by a photo essay by Ramak Fazel.

The book "Movements of Air" reprints the breathtaking pictures of Étienne-Jules Marey, that he took between 1899 and 1901 during his scientific experiments with moving air and smoke, and complements them with two essays of Georges Didi-Huberman and Laurent Mannoni. 

The reference book in French on the Global Tools design movement linked to the Italian radical architects of the 1970s.

Two studies by the pionneer of the popular music studies.

A novel that captures the glancing intersections of a loose group of artists and lawyers, restaurateurs, philosophers, wine-makers, and boxers.

A poetic journey through the anxious spaces of memory, explored here by one of the most powerful voices of Mediterranean poetry of his generation.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

A collection of letters (from 1957 to 1995) that the famous brothers Jonas Mekas and Adolfas Mekas sent from America to Semeniškiai village, their homeland, all addressed to the most important addressee of their lives—their mother, Elzbieta Mekienė.

Three extraordinary texts—pitched between writing and image—that project Artaud's ferocious engagement with the act of drawing.

The English translation of Zdanevich's Dadaist autobiographical lecture in Paris in 1922, where he adopts the name Iliazda. In this entertaining lecture, the achievements of the avant-garde is presented as a combination of zaum, polymorphous sexuality, aleatory forms and scatological interpretation of culture.

The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In Inclusions, Nicolas Bourriaud proposes that artists are the anthropologists of this new era.

A collection of poems by Chinese artist Tong Yi Xin.

In Average Human Heart, inspired by Eduardo Galeano's The Book of Embraces and Jorge Luis Borges's Ficciones, Ross Bolleter offers more than 100 vignettes (or "left hand stories") primarily on music and musical experience.

A collection of texts by fifteen contemporary Brazilian authors who approach the notions of care and privilege from a transfeminist, anti-racist and decolonial critical perspective.

The first English translation of Karel Teige's The Marketplace of Art in two volumes includes a critical introduction, inquiries, and extensive commentaries. Originally published in the Czech language in 1936, The Marketplace of Art is the summation of Teige's artistic, political, and theoretical work.

How the impact of code on everyday life has become comparable to that of speech and writing.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

The first French edition of the theoretical dialogue of the Italian architect and engraver Giovanni Battista Piranesi (1720-1778), one of the most radical texts in the history of modern architectural theory.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

Art historian and philosopher Horst Bredekamp reveals the importance of visual analysis and the central role of images in the development of the philosophical thought of Gottfried Wilhelm Leibniz (1646-1716). Relying mainly on the Leibnizian concept of the monad and on the Theater of Nature and Art, elaborated by the German philosopher and scientist from 1671 until his death, Bredekamp places Leibniz as a precursor of the theory of the image.

This anthology gathers some of the most emblematic authors of the Brazilian poetic modernity, in its widest amplitude and with the intractable will to reveal its incessant reinvention.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A reflection on asceticism in architecture.

Meditations on cinema and method.