Music

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

A two-part musique concrète piece by Canedicoda (Ottaven) and Renato Grieco (kNN).

Two studies by the pionneer of the popular music studies.

Interviews with Valérie Vivancos, Alexis Degrenier, Lao Dan and Li Jianhong; what modes of travel for experimental music? by Heddy Boubaker; the French collective Muzzix, by Gérard Rouy; Antoine Freychet by Grégoire Bressac; focus on Fou Records; about sixty reviews of records and books...

Listening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.

A sketch history of the 1980s American home-taping and electronic music scene through the career of sound artist, field recordist, percussionist, and visual artist Jeph Jerman.

Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.

Live performance of the artists Jacopo Benassi (voice, guitar, dildo and japanese axe), Michele Lombardelli and Luca Scarabelli (guitar and analog devices) at the RetroStudio, Fiorenzuola d'Arda, 11 July 2022. Including a 16-page booklet of photos by Jacopo Benassi.

Morton Feldman's last composition, performed by dissonArt Ensemble.

Sound American #29 celebrates Art Ensemble of Chicago founder and American iconoclast, Roscoe Mitchell.

An essay by Guillaume Belhomme on the singularly modern work of the painter Eugène Carrière (1849-1906), accompanied by a piece by Japanese saxophonist Harutaka Mochizuki, inspired by the master's paintings.

An anthology that traces the long legacy of interdisciplinary experimentations at the intersection of walking, listening, and soundmaking (new edition).

The astounding reedition of seven albums exploring the electro-acoustic experiments of Texan composer-performer Jerry Hunt and others affiliated with his Irida label.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Available for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

Black Box 3, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

A wild improvisation session by the Belgian experimental rock band born from the meeting of five artists with mental disabilities, with the guitarist and co-founder of Sonic Youth.

An exploration of the soundscape of coastal cities by the French-Lebanese artist.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

A double-creation with four hands, surprising, intelligent and sensitive, between minimal experimentations, avant-garde pop and dissonance.

With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.

In Average Human Heart, inspired by Eduardo Galeano's The Book of Embraces and Jorge Luis Borges's Ficciones, Ross Bolleter offers more than 100 vignettes (or "left hand stories") primarily on music and musical experience.

A lush, abyssal, labyrinthine and generous album, produced by Christophe Bailleau with a group of sound artists and invited accomplices.

A wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings.

Jonathan Scherk's first solo LP immerses us in a highly distinctive world of plunderphonics-sampledelica-variations acousmatiques that's impossible to classify while feeling familiar nonetheless. Following a strict two-minute format, thirteen complex sound constructions offer a range of experiences—as if the neurosciences had developed an acoustic formula capable of triggering illusions of memory.

An original meeting, powerful and explosive, between Charlemagne Palestine, Eric Thielemans and Oren Ambarchi.

A poetic story written in the form of an unanswered correspondence by the musician Félicie Bazelaire.

Discographisme maison / Homemade record sleeves is a project collecting and assembling a series of record sleeves. They were all reworked and customized by unknown artists who used the original cover as a support or a source of inspiration... This collection echoes an intimate, marginal and overlooked experience, which can be replaced in the history of iconography and pop music.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

Riding the razor's edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay of musical minimalism, "Immanent in Nervous Activity" is Die Schachtel's new release from the creative partnership of Giovanni Di Domenico and Jim O'Rourke, joining the conversant vision of two of the most striking voices within the field of contemporary sound.

A series of ghostly ink drawings and scanographs by eRikm, accompanied by a mixed sound piece, with sound texts freely inspired by fragments of stories about the universe of the Yokai, these ghosts and supernatural creatures that inhabit Japanese mythology, between hypnotizing soundscapes and bewitching instrumental devices.

1st time on vinyl for the Eno-produced ambient classic "The Sinking of the Titanic", Gavin Bryars' first major composition written between 1969 and 1972, inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage.

A collection of 77 texts by Jason Kahn, each text written in response to a field recording made by the sound artist in Zurich in February-March 2020 (CD with the 77 sound recordings included): a poetic and sonic cartography that reflects the constitution of the place by the way it "sounds".

Vanda Spengler; contemporary Arabic poetry: Rana Al Tonsi; interview with percussionist Lê Quan Ninh by Jérôme Noetinger; interview with David Chiesa and Nina Garcia, two of the 26 figures of the UN ensemble; interview with Lebanese musician, oudist and vocalist Youmna Saba; interview with Marion Camy-Palou by Michel Henritzi; Thierry Monnier (1972-2022) by Pali Meursault; RG Rough; 66 album reviews...