Music

A series of photos between documentary and science fiction in the vertiginous universe of plastic surgery, with a DVD of images and electroacoustic music.

Including conversations with David Toop, Scanner, Brandon LaBelle, Ken Vandermark, Kaffe Matthews, Steven Connor, John Parish, Ben Watson, Simon Critchley, Andrew Morgan, Esther Leslie, Eric Roth, Andrew McGettigan, and Seth Kim-Cohen.

Dick Higgins, one of the main figures of Fluxus, points out the particularity of poet-artists who, since German and English Romanticism, have refused to make distinctions between what is sonorous, visual and written.

The Grief's greatest hits, with many unpublished, rarities and remixes.

Eighteen figures of the French New Wave scene reinterpret each one of their iconic titles.

The two French musicians Sébastien Roux and Eddie Ladoireextend their ambient explorations through drone guitars and digital manipulation.

Baudevin's interviews about contemporary music (also in English edition).

A dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann, in a record-size album, featuring the electronic music commissioned for the piece.

A journey into Henri Pousseur's archives.

Portraits.

A musical project in collaboration with hospitalized teenagers as part of a “Culture and Handicap” program.

A quartet of string and woodwind instruments brings together masters of free improvisation.

The first duo recording of Joëlle Léandre (double bass, voice) and Akosh S. (tenor & soprano saxophones, metal clarinet, tárogató, flute): a wonderful syntonic improvisation in a Hungarian synagogue.

Artist's book: a journey through Tyrol landscapes with Bob Dylan.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

An historical and sociocultural study on metal music, and the first sociological portrait of the movement in France.

An “anti-humanist” musical piece, overlaying Klaus Weber's voice and frequency ranges defined in relation to the hearing of cricket (limited edition).

An electric rock performance seen as an attempt to free literature from the realm of the book (illustration cover by Thomas Hirschhorn).

Reference monograph.

A surprising book-object created by the artist.

Free improvisations in solo clarinet.

This catalogue is the most comprehensive treatment of Michaela Melián's œuvre to date and constitutes, with numerous essays and illustrations, a long due documentation of the German artist's work.

Project catalogue documenting radio series commissioned by Kunstradio, Vienna, 2001, containing texts, images and audio by the artists, with an introduction by Brandon LaBelle and foreword by Barbara Schroeder from Kunstradio, with an audio compilation on CD.

Olivier Benoit (acousticized electric guitar) and Jean-Luc Guionnet (alto saxophone) present seven journeys, seven light touches, at times on the brink of silence.

The third of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

The Fluxus anthology.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

A selection of essays by the artist, poet, writer, happening-maker, cinematographer, art and literary critic.

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

The second of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

Derek Bailey improvises on guitar while reading poems by Ben Watson. Both pieces were recorded in 1993 and are taken from Ben Watson's book Out To Lunch.

A piece from an installation at the Centre Pompidou in Paris for the exhibition "Elysian Fields", with David Grubbs (guitar, electronics), John McEntire (drums), Noël Akchoté (guitar), Charlie O (organ) and Quentin Rollet (saxophone).

A poetic odyssey on solo piano.

Created in the Musique Action Festival of 1999, this recording is a collaboration between two trailblazers of new music.The duo convey their strong sonorous density through short and intense compositions, in which improvised music meets progressive rock.

The first of a trilogy of drone album made only with guitar, and which sound like pure electronic records.

A tribute to Doug Sahm.

A compilation of unreleased tracks by Eugene Chadbourne: four-track recordings at home, with his daughters, in the studio, in concert. A panel of all his art. Covers of Coltrane or Coleman on the banjo, of Nick Drake, of Phil Ochs, of Herbie Nichols, a jam session with Mexican improvisers... An incredible record that was ranked among his 7 best records by The Wire.

The Rectange label "recycled" by Wendy Gondeln (Albert Oehlen).

A single track cut into two one-sided discs (which can be played in its entirety by a DJ with two turntables), recorded at Can Studio, Weilerswist, with David Grubbs, Cosima Von Bonin and Charlie O.

The only record of a mythical assembly of musicians, actors, performers, celebrities and underground personalities united around the zany "B-series" poetry.

A one-hour interview with Noël Akchoté. Joëlle Léandre talks about her career, her beginnings, her struggles as a woman musician and improviser.

A triple CD of music made for John B. Root's pornographic films! (with Noël Akchoté, Charlie O, Emiko Ota, Dom Farkas, etc.).