Inside the drag-queen “Invasion” on Fire Island.

The story of La Salle de Bains art center in Lyon since 2013.

Bundle.

The first album to come out of the collaboration between Jason Kahn (electronics) and Magda Mayas (piano and objects), who have been playing together regularly in concert since 2012.

2025 repress of the incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 100-page booklet.

Writing as a shifting space in which to embody the singular relationship that artists—and art critics—can have with words, texts and language.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.

The first-ever release on vinyl of the important 2001 lowercase work "Forms of Paper" by Steve Roden. Lovingly remastered by Taylor Deupree of 12K Masters in 2024 from the original recording, this limited-edition LP features Steve Roden's artwork on the cover/packaging.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

A collection exploring the intersections of gender and religion in post-secular knowledge production and visual culture.

A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

A compilation of recipes from the Arab world that were presented by artists for Mophradat's online cooking show Lentil Space.

A book-length poem by Berlin based artist and poet Natalie Häusler.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

Without ever giving a lesson in painting, Alain Gunst lists 32 reasons for painting that, “bad” or “not so bad”, take malicious pleasure in mocking an art world.

A look back at the poetic, political and anthropological dimensions of the collective performance initiated by artist Giorgio Andreotta Calò around a mining plant in Sardinia.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

A look back at all Nicolas Trembley's exhibitions over the past 10 years, the cross-fertilization of art and craft, and the various references he has used, both Western and Eastern.

With a documentary approach and in dialogue with elements of scientific and archival research, photographer Matteo de Mayda investigates the long-term consequences of the Vaia storm in Italy.

Documentation on sculptor Edoardo Tresoldi's permanent monumental installation in Venice's Procuratie Vecchie.

Born from the works staged by OHT (Filippo Andreatta), this book revisits the original text written by Mary Wollstonecraft Shelley, incorporating new theoretical and photographic contributions.

A collective story that recounts the history of the representation of natural landscapes and the imaginations that accompany them.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

A booklet containing two musical pieces by artist Grégoire Motte and composer Gabriel Mattei.

Published in collaboration with Harun Farocki Institut, this book unpacks About Narration [Erzählen], a 1975 essay film directed by Ingemo Engström and Harun Farocki.

John Armleder delivers a series of drawings for his “autobiography”.

Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

Rirkrit Tiravanija's methods for making less.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

First monograph.

Meenakshi Chakraverti's first novel.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.